First things first: this episode is a bitch and a half to find gifs for on account of the Jus in Bello convention. So I'm sorry about any giant slabs of text...
Monument, Colorado. The boys break into an incredibly white hotel room and search it. Apparently it's Bela's room and they're looking for the Colt. Suddenly the phone rings. After staring at it awkwardly for a minute, Dean answers. It's Bela, who informs him that she's two states away already. He demands the Colt back, and she's all "LOL NOPE". He murder-nounces that he's going to find her because he has nothing better to do with his life, and she informs him that he's about to get suuuuuuper busy on account of she gave the cops a tip off. The door bursts open, the cops appear, and the boys are arrested.
I wanted to start off this recap by reminding readers, or telling those new to The O.C., that you have to look at Season 3 as the darkness before the dawn. Hang in there, because Season 4 is going to be SO much better. Too bad Season 3 scared away all the viewers and the show got canceled after the fourth season.
The core four drive up to Newport Union High School. Seth exposits that this is Newport’s answer to public education. Marissa, you see, having been kicked out of Harbor and left penniless by Caleb’s death, is now forced to endure the indignity of PUBLIC school.
The core four drive up to Newport Union High School. Seth exposits that this is Newport’s answer to public education. Marissa, you see, having been kicked out of Harbor and left penniless by Caleb’s death, is now forced to endure the indignity of PUBLIC school.
The Core Four are sitting in the diner, with Summer lamenting Ryan and Marissa’s expulsions from Harbor. Ryan and Marissa try to tell her it won’t be that bad, but Summer says it will be for Seth, seeing how before Ryan, he was bullied by people who called him “Death Breath Seth,” and Marissa’s like, uh, YOU called him that. Summer ignores that and says this was supposed to be the best year ever. All Ryan and Marissa want is to go back to school, but Summer tells them it’ll be okay as long as they stick together.
Rain, thunder, lightening. Somewhere, a guy sits inside a shop, pouring over a book. A TV program is playing in the background. The announcer signs off just as the guy realizes he's overdrawn and needs a money miracle. Watching TV while also maybe thinking about needing money miracles? MY LIFE. But with less "God Save the Queen" playing in the background.
Kirsti: I had a total "IT'S THAT GUY FROM THAT THING!!" moment when he came on screen, but wasn't sure what that thing was. According to IMDB, it's our old friend Britain Only Has Ten Actors, because he's been in Hot Fuzz, Little Dorrit, and Chocolat.
Kirsti: I had a total "IT'S THAT GUY FROM THAT THING!!" moment when he came on screen, but wasn't sure what that thing was. According to IMDB, it's our old friend Britain Only Has Ten Actors, because he's been in Hot Fuzz, Little Dorrit, and Chocolat.
First things first: I have an irrational love for this episode. It manages to be feelsy and really freaking dark and hilarious simultaneously, and it's just kind of great.
Right, on with the show. We open with a super close up of Sam's closed eyes. Heat of the Moment by Asia starts playing, and he sits bolt upright in bed at the Motel of the Week. Dean, already dressed, tells Sam that it's "time to rise and shine, Sammy!" This gives me horrible flashbacks to my teen years when my mother would burst into my room at like 9am on a Saturday and holler "Time for getting up now!" (M: My mom's Saturday wake-up was the dreaded, "time to clean!" -_-)
Right, on with the show. We open with a super close up of Sam's closed eyes. Heat of the Moment by Asia starts playing, and he sits bolt upright in bed at the Motel of the Week. Dean, already dressed, tells Sam that it's "time to rise and shine, Sammy!" This gives me horrible flashbacks to my teen years when my mother would burst into my room at like 9am on a Saturday and holler "Time for getting up now!" (M: My mom's Saturday wake-up was the dreaded, "time to clean!" -_-)
After the previouslies, we go straight to the credits, because why the fuck not. DOO WEE OOH.
After the credits, the Doctor aims a mystery thing at the Cybermen, and a beam of orange light bursts out. It hits one Cyberman and spreads to the others, kind of like how the Nazis die in Raiders of the Lost Ark. The Cybermen crumble to ash and everyone makes a run for it.
I cannot stop laughing over that gif. Conveniently, Driver pulls up in the blue van and everyone piles in. Except for A Pete, who makes a run for the house to rescue A Jackie.
After the credits, the Doctor aims a mystery thing at the Cybermen, and a beam of orange light bursts out. It hits one Cyberman and spreads to the others, kind of like how the Nazis die in Raiders of the Lost Ark. The Cybermen crumble to ash and everyone makes a run for it.
I cannot stop laughing over that gif. Conveniently, Driver pulls up in the blue van and everyone piles in. Except for A Pete, who makes a run for the house to rescue A Jackie.
Apartment somewhere. The Liars are impatiently waiting on something. Behind them, Noel Kahn says he'll be right back. Apparently, he's the "what are you doing here? DRAMATIC CUT TO BLACK" from last episode. (J: terrible pay off.) When he leaves, the Liars wonder at the smartness of following Noel Kahn and further wonder why Alison would trust him. They don't hear the Foley guys given them an extra loud door opening sound, so they all jump up when Alison answers, "because he has secrets too."
Bobby walks through his house with a flashlight in hand. He hears a noise and turns, but there's nothing there. He heads into the kitchen and looks around, but it's empty. Suddenly, a woman screams and attacks him. He falls to the floor, and she shakes him back and forth. The screen flashes white a few times and we cut to Bobby asleep in a motel bed. It's daylight. A maid enters, and apologises when she sees him. She pulls the keys from the door, and they jangle. But Bobby doesn't budge. She looks concerned and walks over to him. She shakes his shoulder a little, and he still doesn't move. We cut back to the screaming woman in the kitchen and Bobby trying to fend off her blows.
A crime van pulls up along a curb. A bunch of people get off, including one dude who was stuffed in the itty bitty trunk, even though there are at least three rows of seats in the van proper. Your friends suck, mate.
The five criminals walk in a line and Trunk Dude whips out his RED HOOD. The boss man asks him WTF is up with the hood and the Sucky Mates wonder if they should've gotten hoods too. Boss Man look a little put-off but not enough to stop the heist. They bust into the bank and Red Hood pushes to the front and starts with the dramatics, yelling at everyone that they just want the money and hopping up on the teller desk.
The five criminals walk in a line and Trunk Dude whips out his RED HOOD. The boss man asks him WTF is up with the hood and the Sucky Mates wonder if they should've gotten hoods too. Boss Man look a little put-off but not enough to stop the heist. They bust into the bank and Red Hood pushes to the front and starts with the dramatics, yelling at everyone that they just want the money and hopping up on the teller desk.
A posh looking couple in formal wear walk into their bedroom talking about how tedious the party they just attended was. He wants to have some sexy times, but she says she needs a few minutes and excuses herself. She heads into the bathroom, shutting the door behind her. Elsewhere, a match strikes and a woman starts chanting in a language that Google Translate is telling me could be Latin, Irish, Croatian or Danish. I don't even think you tried, Google Translate. (M: "It's definitely a language! Probably.") The camera pans across a bunch of occult objects, including a used toothbrush, as the unseen woman continues chanting.
We start in the Cohen kitchen, where it looks like rabid raccoons have just finished having a banquet. Haha, nope. The kitchen is filthy because the lady of the house has been away, and we all know only women know how to keep a kitchen clean. (M: It's coded in that extra X chromosome. #science)
Sandy Eyebrows Cohen is expressing how important it is for them all to still eat together as a family because it’s a special day for Seth and Ryan; the first day of their senior year.
Sandy Eyebrows Cohen is expressing how important it is for them all to still eat together as a family because it’s a special day for Seth and Ryan; the first day of their senior year.
Seattle, one year ago. A grandfather is greeted at the door by his grandson, who asks if his grandfather has brought Christmas presents. The grandfather is all "Pff, NO" because that's Santa's job. After the kid's asleep, the grandfather dresses up as Santa and rings a set of bells. The kid sneaks down the stairs and watches as Grandpa Santa puts presents under the tree. There's a thump on the roof, and the kid excitedly whispers to himself that it must be reindeer. Some soot falls down the chimney, and Grandpa Santa looks over in surprise before going closer to investigate. Obviously, something grabs him and drags him up the chimney with a series of crunching sounds.
Here we are again.
Stephanie: What? You're not excited? This one's gonna be good. I know it.
Mari:
The episode starts at some kind of office building. We notice a a Generic Charmed Man leaning against a wall as a couple greet each other and cautiously flirt. (S: They flirt about Y2K and it's incredible.) Generic Charmed Man proclaims them a match, and I know Cupid is going to be in this episode so let's just call him that.
Stephanie: What? You're not excited? This one's gonna be good. I know it.
Mari:
The episode starts at some kind of office building. We notice a a Generic Charmed Man leaning against a wall as a couple greet each other and cautiously flirt. (S: They flirt about Y2K and it's incredible.) Generic Charmed Man proclaims them a match, and I know Cupid is going to be in this episode so let's just call him that.
Nighttime in the woods. Spencer wanders around in a bridal dress, getting tangled in the trees. She is being stalked by a black clothed figure, then we hear a stabbing sort of sound and she gasps. Is something exciting about to happen, you ask? Or something about to be revealed? PSYCH! No. Not even close.
“48 hours earlier” appears across the screen. Ah, that old trope.
Rosewood's one coffee shop. All four Liars are discussing the fact that Paige tipped the cops off about Ali being alive.
“48 hours earlier” appears across the screen. Ah, that old trope.
Rosewood's one coffee shop. All four Liars are discussing the fact that Paige tipped the cops off about Ali being alive.
Jorge: Have you ever watched Spike Jonze's Adaptation?
Marines: ...what? No. Where is this going?
Jorge: Oh man. You totally should. It's the sorta-real-but-not-exactly-real story of screenwriter Charlie Kaufman, played with aplomb by Nicholas Cage, as he takes on the challenge of adapting Susan Orleans' book The Orchid Thief for the big screen. Orleans' book is a rumination on passions and disappointments, framed by a story about orchid poaching in Florida.
Marines: ...what? No. Where is this going?
Jorge: Oh man. You totally should. It's the sorta-real-but-not-exactly-real story of screenwriter Charlie Kaufman, played with aplomb by Nicholas Cage, as he takes on the challenge of adapting Susan Orleans' book The Orchid Thief for the big screen. Orleans' book is a rumination on passions and disappointments, framed by a story about orchid poaching in Florida.
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