A little backstory, I grew up watching a ton of high school dramas: Saved by the Bell, California Dreams, The OC, and the more recent Gossip Girl. I spent my formative years in Nigeria and everything I knew about the American Education system, I learned from these shows, all of the Bring it On movies and the numerous college drama themed movies I cannot remember. Imagine my surprise and indignation when I came over to the States for college and it was nothing like Hollywood portrayed. College wasn’t an endless party filled with cute, flirty boys, I never became best friends with my roommate, and everything I had been lead to believe was a damn lie!
To be fair, I attended a small liberal arts college that also happens to be the first of the Seven Sisters, and one of the few women’s colleges still in existence. Had I really wanted an All American College Experience TM, I probably should have gone anywhere but there.
We pick up exactly where we left off. The Doctor fights off the electricity and gathers it into a ball in one hand. "Deadly to humans, maybe!" he says, and shoves the electricity ball into the Slitheen's chest. It and MP Sugar writhe in pain.
DOOO WEEE OOOOH!
After the credits, we see that the Slitheen in the Cabinet Room and the one in Jackie's flat are both writhing in electricity covered pain too.
DOOO WEEE OOOOH!
After the credits, we see that the Slitheen in the Cabinet Room and the one in Jackie's flat are both writhing in electricity covered pain too.
Somewhere along the line, this blog transitioned from, "LOL, kids books are ridiculous when read as adults!" to, "Wow, there is a lot of dangerous, problematic messaging in our favorite media." It didn't happen on purpose and it didn't happen over night, but it definitely happened. Just as the blog has changed, it has also changed us in the process.
Marines: I don't think I'm ever approaching the material we cover with the mind-set, "let's find all the ways this is wrong." To be sure, our primary goal has always been about finding humor in the way we discuss the media we chose, and letting that be the common ground between us all as consumers. Things did change, though, as we found ourselves unable to look past problems without calling them out.
Marines: I don't think I'm ever approaching the material we cover with the mind-set, "let's find all the ways this is wrong." To be sure, our primary goal has always been about finding humor in the way we discuss the media we chose, and letting that be the common ground between us all as consumers. Things did change, though, as we found ourselves unable to look past problems without calling them out.
Mona, in her quest to make amends for her history of stalking and life-ruining, is in her interrogation, confessing to Wilden's murder. She says that she had known about Wilden's murder of Garrett, a fact that she claims she was trying to use to blackmail him into leaving our Pretty Little Liars out of his Ali-vestigation. Wilden got violent once he know that Mona knew about his murdering Garrett. When asked why she's confessing when she could have gotten away with it, Mona cries and says she couldn't let her best friend's mother go down for a murder she didn't commit.
Marines: As soon as the detective leaves, she stops crying and puts on a, "mwahahaha" face. I hope this isn't being recorded.
Marines: As soon as the detective leaves, she stops crying and puts on a, "mwahahaha" face. I hope this isn't being recorded.
First I need to share that when I realized I would have to recap this episode, I yelled out, “NO!” That should be enough to let you know how I feel about it.
Lorraine: A common Snark Lady problem. In fact, Kirsti was known to work out who would get what episode during entire seasons of Buffy. That moment of realization that an episode is yours is best drowned in Goblets of Win.
Sweeney: Not knowing what trauma lies ahead is one of the occasional perks of Snow Life.
Lorraine: A common Snark Lady problem. In fact, Kirsti was known to work out who would get what episode during entire seasons of Buffy. That moment of realization that an episode is yours is best drowned in Goblets of Win.
Sweeney: Not knowing what trauma lies ahead is one of the occasional perks of Snow Life.
Before we get into this recap, a little bit of context about my history with The OC. I watched seasons one and two when it aired on TV and actually own season one on DVD. I happen to think that season one is one of the greatest seasons of TV ever, and it definitely was my very favorite season of TV as a teenager. However, I haven't seen season two since it aired. In my mind, The OC ended during the season one finale.
So! With that, let's get into "The Chrismukkah that Almost Wasn't." (Full disclosure: I asked to recap this episode because Chrismukkah is one of the first things that come to mind when I think of Seth Cohen/The OC.) (S: And this is a great episode for any Seth Cohen Chrismukkah fan.)
So! With that, let's get into "The Chrismukkah that Almost Wasn't." (Full disclosure: I asked to recap this episode because Chrismukkah is one of the first things that come to mind when I think of Seth Cohen/The OC.) (S: And this is a great episode for any Seth Cohen Chrismukkah fan.)
We begin, again, on Murder Night. At 12 Grimmauld Place, we rehash the Michaela is beyond terrified/Connor is verbally abusive and manic/Laurel is trying to stay calm and be helpful/Wes is snuggling Rebecca dynamic. Wes says he needs to get Rebecca out of here while the rest of them go to the woods, since she of all people can’t be found there.
Then there’s an angry knock on the door and everyone panics. It’s Asher, and he is PISSED. Not because of murder!reasons, but because Michaela stole his trophy. They all pretend not to be home, except Connor, who starts cackling like a sociopath. It’s not funny, except when Asher yells, “Are you bitches seriously trying to ignore me right now?” That was weirdly hilarious.
Then there’s an angry knock on the door and everyone panics. It’s Asher, and he is PISSED. Not because of murder!reasons, but because Michaela stole his trophy. They all pretend not to be home, except Connor, who starts cackling like a sociopath. It’s not funny, except when Asher yells, “Are you bitches seriously trying to ignore me right now?” That was weirdly hilarious.
The TARDIS appears in front of Rose's less than fancy looking apartment complex. (K: For the Americans among us, allow me to teach you about council estates, otherwise known as "where Rose Tyler lives.") Rose and the Doctor get out and her first question is how long she's been gone. Only about 12 hours. Rose laughs and promises not to take long, as she just wants to check on her mother. She tells the Doctor not to disappear on her. He gives her a cute little smile in return.
Cute in a, "yeah, yeah, whatever you say," way.
Sweeney: I mentioned this last time, but to reiterate: while I'm still not really enjoying this show, these bits are cute.
Cute in a, "yeah, yeah, whatever you say," way.
Sweeney: I mentioned this last time, but to reiterate: while I'm still not really enjoying this show, these bits are cute.
he previouslies are loaded with Troy flashbacks, so, you know, that's a thing to prepare for. I have the vague feeling that I don't like this episode, but it wins a lot of points for continuity porn, which this show is full of and generally does quite well. Bringing back a character we haven't seen in 30 episodes is neat because it's a show's way of saying, "Yes, we know that when characters leave our immediate scope, they continue existing and being people!"
Marines: "And we realize that real people often have multiple interactions with more than 5 people." Good job, show. You are right.
Democracy Diva: For the resident Snow, these callbacks are often confusing, but even I remembered Troy as... uh... someone Veronica dated who did something fucked up to her? Right? Maybe? It's been a LONG TIME since Season 1, you guys. I know I'm supposed to hate him, I just don't totally remember why.
Marines: "And we realize that real people often have multiple interactions with more than 5 people." Good job, show. You are right.
Democracy Diva: For the resident Snow, these callbacks are often confusing, but even I remembered Troy as... uh... someone Veronica dated who did something fucked up to her? Right? Maybe? It's been a LONG TIME since Season 1, you guys. I know I'm supposed to hate him, I just don't totally remember why.
Mountains Somewhere. We hear a woman moaning and I'm pretty sure it's done specifically in a way so the first thing you think is, "sexy time." But no. Some woman is giving birth and now I just feel all awkward. (S: Best PSA ever! YOU THINK SEXY TIME FEELS GOOD, KIDS? WELL THIS IS WHERE IT LEADS.) Echo is the midwife and WHY? WHY WOULD ECHO BE THE MIDWIFE? Are these parents on the run from the law? Is that baby the second coming of some deity? Did part of the job include scaling the mountain before assuming midwiferly duties? NO? No need for a doll to be the midwife.
Stephanie: This show obviously takes place in an alternate universe where everyone is terrible at their jobs, thus dolls are necessary to keep society functioning.
Stephanie: This show obviously takes place in an alternate universe where everyone is terrible at their jobs, thus dolls are necessary to keep society functioning.
We begin with a Ryan and Seth walk-and-talk at school. Seth helpfully recaps the events of the last episode - namely, that Alex (or in my head, Punk!Olivia Wilde) kissed him and Ryan talked to Lindsay all night long at a bus stop. Ryan wants to take things slow, but Seth suggests that he invite Lindsay to another effing dance - the titular SnO.C.
Ryan is doubtful and kind of nervous and it's actually super endearing. He reminds Seth that bad things always happen at these parties, which is absolutely true, but Seth assures him it'll be fine. I think. It's hard to tell, because Seth has so many marbles in his mouth I'm not really sure what he's saying. I don't remember this ever bothering me during my Seth-Cohen-obsessed youth. Maybe I'm just getting old.
Ryan is doubtful and kind of nervous and it's actually super endearing. He reminds Seth that bad things always happen at these parties, which is absolutely true, but Seth assures him it'll be fine. I think. It's hard to tell, because Seth has so many marbles in his mouth I'm not really sure what he's saying. I don't remember this ever bothering me during my Seth-Cohen-obsessed youth. Maybe I'm just getting old.
We begin where the last episode ended, with Oswald arriving at Jim's door. Barbara shows him in and he introduces himself as Peter, a friend of Jim's. Barbara is lovely and jokes about not getting to meet Jim's friends. Jim walks Oswald out to have a chat about work things.
Alex: Oh, whoops. I totally assumed Barbara knew who Oswald was at the end of the last recap. Apparently not. But I'm sure that when she opened the door last week she looked worried, whereas now she's just being all charming and upbeat.
Marines: I mean, every other character in this show has been all, "YOU. PENGUIN." so it wasn't unreasonably to assume that she would also guess who he was. But no.
Alex: Oh, whoops. I totally assumed Barbara knew who Oswald was at the end of the last recap. Apparently not. But I'm sure that when she opened the door last week she looked worried, whereas now she's just being all charming and upbeat.
Marines: I mean, every other character in this show has been all, "YOU. PENGUIN." so it wasn't unreasonably to assume that she would also guess who he was. But no.
I have been putting this off for an unreasonable amount of time, mostly because I've been busy but partially because of my struggle to get into this show. I was feeling kind of guilty about it, too, because I want so badly to love this thing that everybody else loves. Then I remembered that (a) the 1x01 comments are filled with amazing stories of many a devout Whovian's struggle to come into the light -and- (b) There are a half dozen, "LOL you gave Sweeney that episode to start with?" comments on the last post. So, you know, these are all things. What I'm saying is THANKS, GUYS.
(In truth, there's no winning for you - either you don't warn me and I'm all, "WHAT ARE WE WATCHING? WHY WHY WHY?' or you do warn me and I'm all, "THANK YOU FOR PLANTING SEEDS OF DREAD.")
(In truth, there's no winning for you - either you don't warn me and I'm all, "WHAT ARE WE WATCHING? WHY WHY WHY?' or you do warn me and I'm all, "THANK YOU FOR PLANTING SEEDS OF DREAD.")
Prue and Phoebe are going through old pictures and Phoebe is complaining about a lack of HER in all of them. Prue finds a couple of Baby Phoebe, including one with their mom. Phoebe catches some feels but before they can explore them too much, Piper rushes in looking for pen and paper. There's a knock on the door and on the way there, Piper exposits to her sisters that every year this man shows up on the same day with flowers for their grandmother from a secret admirer, when clearly he's the admirer.
Piper opens the door and it's Blatant Admirer with flowers for "Penny Halliwell."
Piper opens the door and it's Blatant Admirer with flowers for "Penny Halliwell."
Hello, Traumateers! The Snark Squad has, for some reason, allowed me to be your guide through the OC Season 2, Episode 4. I have never seen the OC, nor do I have any idea what it is about; however, from the title, I'm looking forward to some disruptive, forward-thinking Original Content. AM I RIGHT? (M: Best to let it be a surprise.) So. Let's get this show on the road.
Oh, as the opening recap begins, I'm noticing a lot of white people. And one semi-hispanic looking teenager. This is probably just situational, and there'll be a more diverse group coming up.
Oh, as the opening recap begins, I'm noticing a lot of white people. And one semi-hispanic looking teenager. This is probably just situational, and there'll be a more diverse group coming up.
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