The episode starts immediately after the end of the last, with Glory busting into Tara's dorm room from the outside and discovering that Dawn is the key. Buffy takes off running with Dawn, and apparently doesn't have time to open the door, so she barrels through it. Of course, now she's on the floor and has to scramble to her feet. I'd call that a plan fail.
Sweeney: Not that she really had ample time for quality plan-making.
Kirsti: True. But my first thought would always be to open a door rather than try to jump through it...
Last chapter's curbhanger was the little reveal that Leila, also known as The Ghost of Submissives Past, has shown up and is waiting for Ana at reception with another woman. First, though, female bodyguard Prescott (I'm not sure if we've ever mentioned her before) wants to talk to Ana. Prescott says that the GSP is on Ana's list of "proscribed visitors."
Think about this for one second. Ana's husband has drafted up a list of people she is not allowed to see, and he's done it without her knowledge. She has at least one security guard with her at all times, and they are instructed to make sure that certain people never see her.
Think about this for one second. Ana's husband has drafted up a list of people she is not allowed to see, and he's done it without her knowledge. She has at least one security guard with her at all times, and they are instructed to make sure that certain people never see her.
This, dearest of Traumateers, is our 400th post. CRAZY.
The episode starts with a creepy ass, clown looking doll thing being carried in the foreground, as we see our group of Pretty Little Liars in the background, eating at Rosewood's one restaurant. They are doing our fantastic, beginning of episode exposition. This round is about guessing who is making Spencer look like a murderer. Spencer pauses the talk to point out that the creepy ass, clown looking dolls are staring at them from outside, where they are all lined up in a row, facing the restaurant.
Alas, they are for some sort of founder's festival which will never not remind me of The Vampire Diaries.
The episode starts with a creepy ass, clown looking doll thing being carried in the foreground, as we see our group of Pretty Little Liars in the background, eating at Rosewood's one restaurant. They are doing our fantastic, beginning of episode exposition. This round is about guessing who is making Spencer look like a murderer. Spencer pauses the talk to point out that the creepy ass, clown looking dolls are staring at them from outside, where they are all lined up in a row, facing the restaurant.
Alas, they are for some sort of founder's festival which will never not remind me of The Vampire Diaries.
The episode begins with the gang eating a fancy dinner to celebrate Cordelia getting a job on a national commercial. Angel's being really awkward about all the "being out in public" and also the cost of the food. "I'm not cheap, I'm just old." LOL.
Kirsti: I'm gonna go ahead and start using that excuse when people drag me into stores where a t-shirt costs $100.
Sweeney: Cordelia feels guilty about ditching them mid-case. Wesley and Gunn discuss how they'll have no problems being manly men killing the demon thing to death and they fist bump. Angel jumps in for a repeat fist bump and it's cute.
Kirsti: I'm gonna go ahead and start using that excuse when people drag me into stores where a t-shirt costs $100.
Sweeney: Cordelia feels guilty about ditching them mid-case. Wesley and Gunn discuss how they'll have no problems being manly men killing the demon thing to death and they fist bump. Angel jumps in for a repeat fist bump and it's cute.
We begin the episode with an additional journey through Buffy's grief and Slayer struggles as she is dropping a poetry class. She explains to the professor (and the audience) that she's dropping all of her classes because she just can't be in school right now. This scene with an uninitiated person in Buffy's life obviously emphasizes that Joyce's death is probably reason #1 for this decision (a second cousin of mine lost her mother at Buffy's age and she dropped out of school too). That said, I like that this happens immediately after the trip to the desert because it makes it clear that Slayer stuff is a part of it. As Buffy pushes the Slayer expiration date, these are the kinds of hard choices she's going to have to start making.
Spencer and Emily are returning to Spencer's house from school when MariskaMom arrives to deliver very bad news. The police have issued a warrant and will now be going through the entire Hastings house, including Spencer's room. She runs up there to stop them, but they're boxing up all of her shit - diaries, laptop, notebooks. Can someone with a criminal justice degree please tell me if this would EVER happen based on the evidence they have on Spencer? Which is, none.
Spencer wants her mom to make them stop, but MariskaMom says they're just doing their jobs. Ian shows up just in time to do a long, creepy stare into the room, while drinking a glass of milk. Wtf.
Spencer wants her mom to make them stop, but MariskaMom says they're just doing their jobs. Ian shows up just in time to do a long, creepy stare into the room, while drinking a glass of milk. Wtf.
We open at Lindsey's apartment. His alarm clock goes off, and he stares at it for a minute before turning it off with his stump. He shaves and gets dressed before putting on his prosthetic hand. He opens the cupboard to get a pre-tied tie, and stares sadly at his guitar. I know Lindsey's the evil lawyer guy and all, but this is kind of giving me feels, you guys. Lindsey needs a hug or something. Although to be fair, it's possible that I'm being manipulated by the Oboe of Sad Times...
Lorraine: It's totally the Oboe. I mean, not having a hand is sympathy-inducing, but also, Lindsey lost it because he was being an evil douche nozzle, so, yeah.
Lorraine: It's totally the Oboe. I mean, not having a hand is sympathy-inducing, but also, Lindsey lost it because he was being an evil douche nozzle, so, yeah.
We open in the Summers' kitchen. Buffy's washing dishes while Giles and Dawn dry and put things away. Apparently the Best Surrogate Parent of Ever made dinner for the girls. Dawn goes to check her room for additional dishes, and Giles takes advantage of her absence to ask how they're both doing. "Some minutes are harder than others," Buffy replies.
Lorraine: Subtle but brilliant line. Grief happens minute by minute.
Sweeney: Agreed. I think that applies to most turbulent life times. Emotional stuff doesn't just hit you all at once and then go away. It ebbs and flows and I can't stop congratulating this show for how wonderfully it's portraying all of this.
Lorraine: Subtle but brilliant line. Grief happens minute by minute.
Sweeney: Agreed. I think that applies to most turbulent life times. Emotional stuff doesn't just hit you all at once and then go away. It ebbs and flows and I can't stop congratulating this show for how wonderfully it's portraying all of this.
Sweeney: Having dispensed with all that crazy business wherein Ana had to interact with other people, we begin this chapter in a familiar place: with everyone's least favorite couple in bed. Ana, "linger[s] on the edge of consciousness," afraid to wake her future murderer. A valid fear.
Lorraine: It's made a hilarious fear because Ana is being suffocated by Grey's body heat. So, she's not going to wake him because he doesn't get enough sleep and Grey needs to sleep regardless of if Ana is being robbed of her oxygen. Because it hasn't happened in a bit: AND THEN SHE DIES.
Sweeney: That game will never stop being wonderful.
Lorraine: It's made a hilarious fear because Ana is being suffocated by Grey's body heat. So, she's not going to wake him because he doesn't get enough sleep and Grey needs to sleep regardless of if Ana is being robbed of her oxygen. Because it hasn't happened in a bit: AND THEN SHE DIES.
Sweeney: That game will never stop being wonderful.
We begin the episode with shots of the girls being separately interrogated. They've told the cops about the Someone Wants To Kiss Ali - Extended Edition that they received, featuring special guest Creepy Ian. They all lie for Spencer when asked if they knew of Ian being with any other younger girls.
Lorraine: Aw. I mean, I'm not aw-ing lying to the police, but just that they all do it for their friend.
Sweeney: Also, rape culture rage break: the cop makes a point of pointing out that Ian was a star athlete as part of why this would never be a thing that would happen because men who are star athletes are inherently good men, OBVS.
Lorraine: Aw. I mean, I'm not aw-ing lying to the police, but just that they all do it for their friend.
Sweeney: Also, rape culture rage break: the cop makes a point of pointing out that Ian was a star athlete as part of why this would never be a thing that would happen because men who are star athletes are inherently good men, OBVS.
We open at the Brooding Hotel, where Angel sits behind a desk, while Wesley lectures him about engaging with his co-workers and being sensitive to their feelings. Angel is wearing a gray shirt that might almost be described as light gray.
Wesley pauses the lecture and points out that this must be torture for Angel. Why, yes it is. "Good," Wesley answers. They are done for now, though. Angel says he'll sit around and absorb it, but not in the office, because it is now Wesley's office. Good thing, just outside the doors, Cordelia and Gunn are preparing a little bitch-work area for Angel. Also, they want coffee. Punny Angel (remember him?!) says, "Man. Atonement's a bitch," and that takes us into the credits.
Wesley pauses the lecture and points out that this must be torture for Angel. Why, yes it is. "Good," Wesley answers. They are done for now, though. Angel says he'll sit around and absorb it, but not in the office, because it is now Wesley's office. Good thing, just outside the doors, Cordelia and Gunn are preparing a little bitch-work area for Angel. Also, they want coffee. Punny Angel (remember him?!) says, "Man. Atonement's a bitch," and that takes us into the credits.
Buffy appraises a bunch of coffins. Spooky music plays while she opens one up, but it's all a bit of misdirection. There is nothing in the coffin. Buffy is here to pick one for Joyce.
Misdirection dictated that Buffy was doing all of this in the dark, in a room away from Giles, Dawn and the salesman. They enter the room now, and Buffy points out her selection. The salesman makes a skeevy comment about he can tell how much she care for the deceased based on her selection. It must be expensive. (S: Clearly. Such a skeevy and inappropriate comment and this guy needs a new line of work.) (K: Agreed. Creepy coffin salesman is creepy.)
Misdirection dictated that Buffy was doing all of this in the dark, in a room away from Giles, Dawn and the salesman. They enter the room now, and Buffy points out her selection. The salesman makes a skeevy comment about he can tell how much she care for the deceased based on her selection. It must be expensive. (S: Clearly. Such a skeevy and inappropriate comment and this guy needs a new line of work.) (K: Agreed. Creepy coffin salesman is creepy.)
We sometimes talk about people watching Buffy but not Angel, which I imagine is a lot more common than the other way around. HOW COULD YOU WATCH THIS SHOW AND NOT WATCH THE FIRST THREE SEASONS OF BUFFY? Granted, Buffy knowledge is occasionally troublesome for watching this show because this show contradicts that at turns, but seriously seriously, I don't understand those people. I bring this up now because this episode begins with Angel's sit-up-and-gasp from the previous episode and moves into him running out into the rain. This time, though, the potential Tragic Magic Vagina belongs to Darla, who follows him outside and tells him not to fight it. Roll electric cellos.
After the credits, Darla's talking about how getting rid of the soul leaves a bitterness.
After the credits, Darla's talking about how getting rid of the soul leaves a bitterness.
THIS EPISODE. Hush was a weird one to recap, but this is kind of on another level. This episode is also included with Hush on many best-of-the-series lists, with good reason. I'd also argue it's the single hardest episode to recap because of a combination of feels and simply the way the episode is done. I mentioned in a Segue Magic video that there was another episode, aside from Hush, that made brilliant use of sound. Obviously all of you who have seen the series knew what I meant, but I'm going to acknowledge it now for the sake of our first-time watcher. It's a brilliant device whose impact is greater on the whole of the episode than in any particular moment. Hush was the only Emmy nominee, but that seems a shame, because this episode certainly deserved one too.
Lorraine: We haven't written a Fifty Shades post in two weeks, but it really seems like ages since we last took rage to screen. No worries, though. This crap is like riding a bike. I already feel my fingers reaching for the capslock key.
We start the chapter with everyone in the restaurant staring at Kate, because if you'll recall, Elliot just proposed to her. We're supposed to be freaking out about what Kate will answer, I guess, but let's be honest:
We start the chapter with everyone in the restaurant staring at Kate, because if you'll recall, Elliot just proposed to her. We're supposed to be freaking out about what Kate will answer, I guess, but let's be honest:
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