We skipped out on the dance party during our season three wrap-up post, but hot damn do we deserve it this time:
Season four was an interesting experience. I think I felt a similar need to get out of a season back when we were doing Buffy season 6, but at the same time this was a completely different beast. Buffy season 6 made me angry. I understood the story, but I didn't like the story. These are all things you've heard before. The point is that here, there was a lot less anger, but like exponentially more head scratching.
And bursts of laughter.
We pick up immediately where we left off. Angel demands to know what Lilah's doing there, but Wes insists that it can't be Lilah on account of he chopped her head off. "There's a signed dollar in your wallet that says different," Lilah says. Wes turns away. Lilah looks to Angel and tells him to use his creepy vampire senses. He tells Wes that it's really Lilah. Fred asks how it's possible, and Angel uses his supersmelling powers to deduce that Lilah's still dead. (L: EW. JESUS. WHY.)(S: Mega letdown because I was hoping for crossover magic with this being first!Lilah. Boo.) (K: That would have been much better than reality.) Gunn asks if she's a vampire, and she "EW NO GROSS"es before pulling down the high collar on her shirt to show the line across her neck from where Wes decapitated her, which means she can't be a vampire. She and Wes share a meaningful look.
We open to a deserted Los Angeles and the zoomy cameraman zooming all over the place. He zooms in on the city, then individual buildings, then pans underground and zooms some more in the sewer tunnels. The battle continues between the Fang Gang and the soldiers. Connor throws Wes across the room into a wall, and demands to know where Angel is. Segue Magic to the alterna-world. The creature close in on Angel, then cower away when he holds up the magic glow ball. He looks up to see a path leading to a temple-y looking thing and THIS WHOLE SCENE IS SO BADLY BLUE SCREENED THAT I JUST CAN'T EVEN. Thankfully, we're thrown to the Electric Cellos.
Lorraine: But why does the blue orb keep the Clickety Demons away? WHY?
Lorraine: But why does the blue orb keep the Clickety Demons away? WHY?
In an attempt to make Connor even more unsympathetic than he was before, it appears he is immune to Gina Torres's blood. We join him now, telling Angel that he's wrong about everything and that they are going to tear him apart. More Jasminenites approach. Angel reacts quickly, shutting the door and using his body weight to hold it closed. He tells the rest of the Gang to make a run for it. Someone who knows the truth must survive. They all take off down the fire escape as Angel keeps trying to hold the door.
In an attempt to make Connor slightly less unsympathetic than a minute ago, he starts banging on the door, and in between hits, he says he's finally part of something.
In an attempt to make Connor slightly less unsympathetic than a minute ago, he starts banging on the door, and in between hits, he says he's finally part of something.
Because Gina Torres, things are decidedly un-Angel-like as we're played into the episode with The Beach Boys "Wouldn't It Be Nice." You know shit's messed up because of all this happiness.
Lorraine: Weirdly, I always associate this song with Drew Barrymore. Thanks, 50 First Dates!
Kirsti: Clearly, there's some kind of weird connection between Drew Barrymore and The Beach Boys because, you know, Never Been Kissed...
Lorraine: Weirdly, I always associate this song with Drew Barrymore. Thanks, 50 First Dates!
Kirsti: Clearly, there's some kind of weird connection between Drew Barrymore and The Beach Boys because, you know, Never Been Kissed...
Gina Torres gushes about how wonderful the gross warehouse is while Connor - still covered in blood - and Angel fawn over her. She kneels next to a comatose Cordy and thanks her for having her free will taken away so that she could exist protecting her. She tells her to be at peace, then gushes some more about how perfect everything is. There's one thing that's not perfect, Angel interjects. And that's the fact that he came there to kill her. He hands her his sword and says that he deserves to be punished. She takes it and says that she can feel his suffering, but that the suffering ends now. He drops his head, bracing himself for the blow, but it never comes. He looks up to find her gone. Cue Electric Cellos.
After the credits, Fred's scurrying around the office, cleaning up fallen books as Lorne watches and sips a cocktail because he's the only sane character in this show. He tells her to stop because she's making him twitchy.
After the credits, Fred's scurrying around the office, cleaning up fallen books as Lorne watches and sips a cocktail because he's the only sane character in this show. He tells her to stop because she's making him twitchy.
The stare down from the end of last episode continues. I wanted to think that Lorne was in the background this whole time playing with his Magic 8 Ball, but a wider shot reveals he's holding a crossbow. Damn.
Cordevilia asks Angel what finally tipped him off to the evil. He says it was a slip of the tongue as earlier, Cordelia called her demon spawn, "my sweet" which was apparently a phrase she used while she was talking to Angelus via head-intercom. Cordelia's all, "SERIOUSLY?" because considering that she was wearing a giant I'M FUCKING EVIL outfit, and generally acting shady as shit, saying a few simple words seems like a lousy way to go down.
Cordevilia asks Angel what finally tipped him off to the evil. He says it was a slip of the tongue as earlier, Cordelia called her demon spawn, "my sweet" which was apparently a phrase she used while she was talking to Angelus via head-intercom. Cordelia's all, "SERIOUSLY?" because considering that she was wearing a giant I'M FUCKING EVIL outfit, and generally acting shady as shit, saying a few simple words seems like a lousy way to go down.
The previouslies suggest that Gwen is coming back, so I'm trying to keep that in mind as I watch this scene in which Cordevilia comes clean about her pregnancy in the Maternity Outfit of Evil and the gang is totally oblivious to her Bad Girl Styling. I know there's no leather, but this is like the fashion equivalent of the Big Book of Villain Gloating. I CAN'T EVEN. WAKE UP, FANG GANG. They're too busy fussing about how quickly she's developed, though Wesley is quick to point out that this isn't Cordelia's first mystical pregnancy rodeo and she came to term the same night on her last go-round. Cordevila takes offense to that comparison because she loves this baby. To be fair, Cordelia loved her hellspawn during pregnancy the last time around too. Connor's reassuring stance by her side doesn't do the NOT A HELLSPAWN! argument any favors.
Kirsti: We start literally where we left off, with Angelus biting Faith's neck. Suddenly, he stops and drops her, scurrying backwards. "What...did you do?" he asks. Flashback to a few minutes earlier. While Angelus was taunting Wes, Faith grabbed a syringe from her boot and injected something into her arm before re-entering the fight. Back in the present, Angelus staggers around briefly before passing out. Wes asks Faith if she's okay. "Kicked his ass," she slurs before blacking out. Electric cellos.
After the credits, Fred's researching behind the desk at the Hyperion when Gunn bursts in the front door, dragging Angelus and screaming Connor's name. Apparently Wes called him and he went, no questions asked.
After the credits, Fred's researching behind the desk at the Hyperion when Gunn bursts in the front door, dragging Angelus and screaming Connor's name. Apparently Wes called him and he went, no questions asked.
Faith is all bloodied and broken and Wesley tries to tend to her. She says she's okay, though she could use a shower. Wesley asks if she's sure if she's okay and all she says is that she's sticky. In the bathroom, we see Faith peel layers of clothes off her very bloodied body and then step into the shower. The stream of water starts to wash away the blood (but not the make-up!) and then she straight freaks the hell out and starts punching the tile wall, yelling as she does. That seemingly out of her system (at least for now) she goes back to washing off the blood.
Sweeney: This scene was really striking especially considering their last encounter before all of this. I kept waiting for that to be brought up, but I suppose it was sufficient that it made me think of it.
Sweeney: This scene was really striking especially considering their last encounter before all of this. I kept waiting for that to be brought up, but I suppose it was sufficient that it made me think of it.
Angelus is strolling the halls of Brooding HQ, and is bummed when he finds Lilah's corpse, because that's less fun. He feeds on her anyway, and is still feeding when Wes and Gunn round the corner. Gunn throws his weapon with terrible aim, given the range. Angelus drops Lilah and flees through the window. Wes's face falls when he takes in the sight of dead Lilah.
Gunn goes back to the lobby where the others are tending to a wound in Cordelia's leg. Gunn informs them that Lilah's dead. Cordelia gets shifty eyes and ominously announces that it's started. Electric Cellos.
Gunn goes back to the lobby where the others are tending to a wound in Cordelia's leg. Gunn informs them that Lilah's dead. Cordelia gets shifty eyes and ominously announces that it's started. Electric Cellos.
We open in the Shaman Dungeon. Just as a couple of episodes ago, there's the sound of fighting, then the guard comes flying through the door and lands unconscious on the floor. Wes, Cordy and Connor walk in and start throwing accusations around. The shaman informs them that he has no need for a soul in a jar, and that he has no idea where it might be. Cordy demands that he switch to his re-ensouling Plan B, but there is no Plan B. Connor asks what happens if the soul gets out of its bottle, and the shaman says that it can be either returned or destroyed.
Lorraine: The Gang should've really asked about the unsouling fine print before this point.
Lorraine: The Gang should've really asked about the unsouling fine print before this point.
We start zoomed in on a bundle of newspapers with the headline, "Crime Wave Shuts Down City." I'm not sure why no one is helping this city, but okay. City Shut Down. Connor grabs the bundle and uses it to hit a vampire he's fighting. It's actually a group of vampires and more keep appearing. He dusts a few of them with a, "Welcome to LA," though he doesn't add the obligatory, "bitch," that I feel belongs there.
Sweeney: Bad form, Connor.
Lor: Connor looks up and there are lots more vampires coming at him from both sides.
Sweeney: Bad form, Connor.
Lor: Connor looks up and there are lots more vampires coming at him from both sides.
Random people in Los Angeles (a father and child, a postalworker, YOU, DEAR EVERYMAN VIEWER!) are watching the news or the sky in shock and horror about the "localized abnormality" that is the blotted out sun. It's funny, particularly for us joint-watchers, to have them address this, "No, the sun's not gone in Sunnydale, because of reasons! Don't worry about it." Also, the news is being reported by KTLA5 and I always get a little giddy about that, because that was the nightly local news I watched. Or, like, kept on in the background because I didn't feel like turning the TV off while I played Roller Coaster Tycoon.
Lorraine: People throwing up on my clean sidewalks used to carry over into my dreams. Man, I loved that game.
Lorraine: People throwing up on my clean sidewalks used to carry over into my dreams. Man, I loved that game.
After the previouslies make me reach for the brain bleach again, we're in Angel's room where he's sketching The Beast. (Welcome back, Angel/art OTP!) Lorne walks in with a glass of blood and Angel basically tells him to get out. Lorne says that he's done with the game playing, and Angel's all "What game playing?" Lorne adopts a moody teenager voice to say "Don't interrupt me, I'm brooding," which is quite possibly the greatest thing to ever happen in this show.
Angel claims to be researching rather than brooding, but Lorne's not buying it because everyone else is researching downstairs as a team, not alone in their mopeyness. Angel says that he works better alone, and Lorne retorts that it's not all about him and that champions (SHOTS!!) don't get to take personal days.
Angel claims to be researching rather than brooding, but Lorne's not buying it because everyone else is researching downstairs as a team, not alone in their mopeyness. Angel says that he works better alone, and Lorne retorts that it's not all about him and that champions (SHOTS!!) don't get to take personal days.