Previously: Kilgrave uses Luke against Jessica. — AKA Smile Jessica: Holy cow guys this is it, the finale! We’ve come through so much and it’s been a fantastic ride and...
Previously: Flashbacks to the founding of a friendship. — AKA Take a Bloody Number Marines: We start where we ended last episode– an explosion at Luke’s bar. First responders arrive. Jessica...
Jessica: Flashback — we’re in the car with the Joneses. There’s a blurry semi truck up ahead. We hear Philip’s voice off to the side “It’s not fair, it’s mine.” Their dad says, “Let him play.”
The screen goes black, and we hear voices whispering, including a young Trish saying, “It’s not fair.”
Blurry first POV shots and beeping equipment let us know we’re in a hospital. Young Jessica is waking up from after the accident, and is overhearing a whispered conversation between Trish and Mrs. Walker. Trish is annoyed because she barely knows Jessica, but Mrs. Walker pushes the fact that she (Trish) needs good press because of her recent drunken behavior. Man, one line in and there’s no question that I hate this woman.
Previously: Hogarth helped Kilgrave get loose. — AKA 1,000 Cuts Marines: A bloody, shot up Kilgrave stumbles down the stairs and out of the building Jessica was keeping him in. Hogarth...
Previously: Jessica drugged Kilgrave and Kilgrave blew Simpson up. — Samantha: We start with Kilgrave opening his eyes and calling out for Jessica. He’s lying on a cot and quickly...
Previously: Jessica tried to frame herself, but Kilgrave didn’t let her. — AKA WWJD Jessica: Just in case you were thinking that you’d get a break from feels this episode, the...
Previously: Luke and Jessica hook back up just before he finds out what happened to his wife. — AKA Top Shelf Perverts Annie: We open on Kilgrave, riffling through drawers and...
Previously: Jessica had Kilgrave, but then he got away. — Jessica: We start off with a black screen, Malcolm in voiceover. “There was a kind of freedom to being under Kilgrave’s...
Previously: Jessica lost her shit on a prejudiced client. — AKA The Sandwich Saved Me Catherine: After those trill, trill credits we open in a crowded office and the helpful on...
Previously: Jessica sees Kilgrave, for a brief moment. — AKA 99 Friends Jessica: First off, let me say that I just love this theme song. It’s got the noir style but...
We open with the wonderful credits which go on for a half hour because I'm still watching them over and over. (Ha ha. JK. That would be weird...)
Credits over, the scene picks up where we left off last time. Jessica is still feeling up Luke's unbreakable pecs and abs, but this time, in a more sexual manner. She tears off his shirt (M: how is he even getting home now JESSICA) and they start aggressively making out. The pants are quickly unzipped and they have super powered sex against a wall.
Sadly, they're interrupted when the male half of the Creepy Twins peeks in. Jess slams the door in his face.
Credits over, the scene picks up where we left off last time. Jessica is still feeling up Luke's unbreakable pecs and abs, but this time, in a more sexual manner. She tears off his shirt (M: how is he even getting home now JESSICA) and they start aggressively making out. The pants are quickly unzipped and they have super powered sex against a wall.
Sadly, they're interrupted when the male half of the Creepy Twins peeks in. Jess slams the door in his face.
I love this shooooooooooow. Okay. We open with the Marvel logo and the pretty and disarming credits. I love how the music starts kind of low key and quaint and then builds into this more rock thing.
Credits over, Jessica Jones is sitting in a police interrogation room. A detective comes in and she tells him that she's not sure how much more she can tell him. He comments on her tension and she's basically like "Yeah. I watched people get murdered by an abused and controlled girl at the end of last episode. Of course I am." He asks how she got in touch with the Shlottman's and how she found Hope.
Credits over, Jessica Jones is sitting in a police interrogation room. A detective comes in and she tells him that she's not sure how much more she can tell him. He comments on her tension and she's basically like "Yeah. I watched people get murdered by an abused and controlled girl at the end of last episode. Of course I am." He asks how she got in touch with the Shlottman's and how she found Hope.
We start straight away with the credits, which I love. Maybe I'm just determined to love this. YAY CREDITS.
Stephanie: I loved them too. The colors! The music! I may have gone back to watch them again... twice.
Mari: To emphasize the dark!Veronica Mars (S: My first thought too.) vibe I'm getting right off the bat, the episode starts with Jessica Jones's voiceover: New York may be the city that never sleeps, but it sure does sleep around. We see a man and a woman sneaking down Adultery Alley.
Stephanie: I loved them too. The colors! The music! I may have gone back to watch them again... twice.
Mari: To emphasize the dark!Veronica Mars (S: My first thought too.) vibe I'm getting right off the bat, the episode starts with Jessica Jones's voiceover: New York may be the city that never sleeps, but it sure does sleep around. We see a man and a woman sneaking down Adultery Alley.