Shrine o' Spielberg. Dawson wibbles about Shakespeare while watching the Elizabeth Taylor version of The Taming of the Shrew. The camera pans out to show us that his post-break up movie watching partner is Gail. LOL. Gail cries over the movie, and Dawson expresses concern over her excess of emotions. She, in return, says she's worried about his LACK of emotions over Joey breaking up with him. Because apparently wallowing in being dumped makes you a better person. Or something...
Democracy Diva: Dubious advice, but it was nice to see these two have a cute bonding moment.
A slightly nerdy guy (Neil) sits with a pretty girl (Angela) and says he's got all the supplies there to heal her broken heart, like booze and chocolate. She thanks him sadly. Someone bangs on the door, and Neil goes to answer it. It's Angela's boyfriend. He demands to see her, but when he talks his way past Neil, she's gone. Cut to Angela driving down a rainy highway, crying. Her phone rings and she answers. Her boyfriend apologises and tells her to listen to him. She gets shouty in response, misses a turn and crashes into a barrier. We get a close up of her staring, blood-covered face and hear her boyfriend's voice over the phone.
I love when we unintentionally develop crossover magic here in Traumaland. Here, we have another wendigo episode! If we really want to this a thing, Wikipedia tells these shows have wendigo appearances: X-Files, Blood Ties, Fear Itself, Haven, Grimm, Hannibal, Teen Wolf or My Little Pony: Friendship is Magic. You never know.
Piper got a flat tire on the way to meet Prue and Phoebe for dinner. Phoebs is trying to talk her through changing a tire via phone call, but things go south quickly when Piper tries to use a wooden spoon to jack up the car. Phoebe offers to go and get her, seeing as how she's stranded and only has a broken wooden spoon to protect herself. Somewhere, Buffy is all, "girl, that's enough!" Especially in the later seasons when minimal effort was required to pierce through the chest.
Piper got a flat tire on the way to meet Prue and Phoebe for dinner. Phoebs is trying to talk her through changing a tire via phone call, but things go south quickly when Piper tries to use a wooden spoon to jack up the car. Phoebe offers to go and get her, seeing as how she's stranded and only has a broken wooden spoon to protect herself. Somewhere, Buffy is all, "girl, that's enough!" Especially in the later seasons when minimal effort was required to pierce through the chest.
Billionaire Bros Bungalow. Duncan's trying to have sexytimes with Veronica, but he's so incredibly boring that she'd much rather entertain herself with her adorable impression of The Dude. (L: Friend, even your KISSES are boring. Find help.) Duncan turns off The Big Lebowski and finally gets her attention, only to be cockblocked by the return of his new roommate. Things are awkward and Logan is generally as rude as possible. Veronica's attempt at playing nice is interrupted by a knock at the door. It's Kendall and she recognizes Veronica as "iPod girl with the waxy eared boyfriend." Logan squeezes in a few more asshole comments and away they go.
Spencer is sitting alone in the common area at Radley when the PLLs drop by. It appears to be well past visiting hours, but Radley's just making shit up as she goes. Anyway, the PLLs dropped by to let her know that they have good news, but they have a really interesting interpretation of "good news" because that news is that the cops found a camper's body. I mean, yay for Toby, but also sucks for that camper and his family, you know?
Lorraine: Plus, they seem to have missed the part where Spencer is in there because she saw Toby's body. "Good news, your boyfriend is alive, but you are DEFINITELY crazy!" Thanks, girls! Nice way to start the episode.
Lorraine: Plus, they seem to have missed the part where Spencer is in there because she saw Toby's body. "Good news, your boyfriend is alive, but you are DEFINITELY crazy!" Thanks, girls! Nice way to start the episode.
We begin with Andie performing a flawless rendition of the Footloose dance for Joey, Dawson, and Pacey. It's the greatest thing to happen on this show since Pacey's Braveheart speech. I will take a moment to repeat what I say in every single episode, which is WHY ARE THERE EVEN OTHER CHARACTERS ON THIS SHOW BESIDES ANDIE AND PACEY. Oh, and Jack
Kirsti: Truth. At least at this point of the show. Some of the other characters would be permitted to return at certain points, but Dawson would be gone forever if I were running this show.
Diva: Any-tangent, Andie is trying to convince the three least school-spirited kids on earth to go to the homecoming dance.
Kirsti: Truth. At least at this point of the show. Some of the other characters would be permitted to return at certain points, but Dawson would be gone forever if I were running this show.
Diva: Any-tangent, Andie is trying to convince the three least school-spirited kids on earth to go to the homecoming dance.
Hello! I’m Tom, your resident Canadian (one of anyway) and I will be recapping the OC for you! I was so honoured to be asked, and so excited to be a part of this. I started watching the OC in university, with my roommates. We all kind of laughed at it, thinking it was a silly show, and slowly it ended up being a nice bonding moment and appointment viewing for a couple years. That and reruns of Sex and the City. I MEAN MONSTER TRUCK RALLIES AND SPORTS NOT SEX AND THE CITY. Whatevs, men can watch Sex and the City. Deal with it, Society.
After lots of previously ons, we open on the Cohen kitchen, when it’s breakfast. I’ve never understood these people that seem to get all this done in the morning.
After lots of previously ons, we open on the Cohen kitchen, when it’s breakfast. I’ve never understood these people that seem to get all this done in the morning.
Red Lodge, Montana. A terrified girl runs through the woods at night, a man chasing her. She hides behind a tree, and the man runs past her. Or so she thinks. She peeks out from behind the tree, and he chops off her head.
FLAME ON!
After the Not!Credits, we're treated to the delightful strains of AC/DC's Back In Black as the newly remodelled Bromobile rolls down the road. There's like 30 seconds straight of car close-ups just so we can marvel at how shiny it is.
FLAME ON!
After the Not!Credits, we're treated to the delightful strains of AC/DC's Back In Black as the newly remodelled Bromobile rolls down the road. There's like 30 seconds straight of car close-ups just so we can marvel at how shiny it is.
Mona is using a compact to both check her lipstick and spy on Hanna, Aria and Emily. She slams it shut and the music seems to think that's a BFD. We head over to the Liars who are freaking out because Spencer is a no-show for school, even after an SOS text from Emily. Hanna tries to calm everyone down. Emily says that if Spencer doesn't respond, they'll go to her house after school.
The bell rings and the girls take off. They are stopped by someone I'm guessing is the principal. (S: LOL, look at him, pretending to have any authority at this fake school.)
The bell rings and the girls take off. They are stopped by someone I'm guessing is the principal. (S: LOL, look at him, pretending to have any authority at this fake school.)
Veronica Voice-Over starts things off, explaining how a week ago, Veronica thought things would turn out differently. She imagined Keith winning the sheriff election in a landslide, and she and Wallace would sneak champagne and prank-call Deputy Lamb. Instead, the election is unbelievably close, and Wallace is off with his dad somewhere. Meanwhile, Veronica is tense at Mars for Sheriff Election Results Party Extravaganza, while Cliff the lawyer gets drunk.
Sweeney: I usually adore Cliff's sass, but his, "GIMME A DRINK, GIRL," sass wasn't some of his finer work. Fortunately this is just his teaser material and he has the rest of the episode to redeem himself.
Sweeney: I usually adore Cliff's sass, but his, "GIMME A DRINK, GIRL," sass wasn't some of his finer work. Fortunately this is just his teaser material and he has the rest of the episode to redeem himself.
Shrine o' Spielberg. A werewolf movie plays on Dawson's TV as he talks about how romantic the full moon is. The camera pans up to show us that Dawson and Joey aren't on the bed, they're outside on the roof staring at the moon. Dawson wibbles some more about how romantic and peaceful it is, while Joey makes WTF faces and says that it's just "a natural satellite". Way to be a buzzkill, Potter. She starts talking about the full moon making people crazy and how she thinks it's because we're 70% water and the moon effects us as well as the tides. Dawson, meanwhile, is trying to swallow her head.
Who wants to feel old and realize that if you only watched The OC when it aired, it's been more than 10 years since you've seen this episode? No one, ok, then let's ignore that I mentioned that at all. It helps that Adam Brody looks pretty much exactly the same as he did as Seth Cohen. If time stopped for him, it must've for all of us, right? Totally.
At school, Seth grills Ryan on what's happening with Marissa, because it totally makes sense that he does that with people around and not before they left the house or while they drove to school or anything like that! Ryan says he Marissa are going to go back to being friends. Smarty-pants-Cohen comes through again with the pointing out of their lack of friendship.
At school, Seth grills Ryan on what's happening with Marissa, because it totally makes sense that he does that with people around and not before they left the house or while they drove to school or anything like that! Ryan says he Marissa are going to go back to being friends. Smarty-pants-Cohen comes through again with the pointing out of their lack of friendship.
First of all, NOBODY LOVES A CLOWN. NOBODY.
Right. Now that's out of the way, let's get to the episode. Medford, Wisconsin. A young girl looks excitedly around a carnival while her parents look bored. She gets excited about clowns, and her dad's all "NOPE." She waves at one particular clown, which waves back, but neither of her parents can see it. Cut to them driving home. She sees the same clown out the car window. Cut to her getting out of bed that night and seeing the clown standing on her back lawn. She goes downstairs and lets it in because SHE'S A FUCKING IDIOT.
Right. Now that's out of the way, let's get to the episode. Medford, Wisconsin. A young girl looks excitedly around a carnival while her parents look bored. She gets excited about clowns, and her dad's all "NOPE." She waves at one particular clown, which waves back, but neither of her parents can see it. Cut to them driving home. She sees the same clown out the car window. Cut to her getting out of bed that night and seeing the clown standing on her back lawn. She goes downstairs and lets it in because SHE'S A FUCKING IDIOT.
Wallace heads inside, not too long after Stalker Cop approached him with the whole, "I am your father," deal. Wallace is clearly distraught. Alicia is happily serving dinner and her first clue that something is wrong is that Wallace says he isn't hungry. He just met a man in the driveway. A man from Chicago. He angrily asks who they buried in Cleveland and who he cried over for so many days. Alicia says that was his father but Wallace doesn't get how having two fathers works out. Wallace storms away but Alicia follows.
In the living room, she explains: she married Nathan Woods (Stalker Cop) when she was 21 years old. He started off as a narcotics detective but he went so deep undercover that things got bad.
In the living room, she explains: she married Nathan Woods (Stalker Cop) when she was 21 years old. He started off as a narcotics detective but he went so deep undercover that things got bad.
We open with Dawson and Joey making out on a blanket, which appears to be located adjacent to a sidewalk. It's a less than ideal location for sexytimes. Joey wants to stop because it's cold, and I'm like, girl, you are not allowed to even talk about the weather on this show because it DOES NOT MAKE ANY SENSE. (K: A+, girl.) Dawson thinks the location is beautiful and romantic but she's like, ew, bugs, and also, let's go indoors please. She calls him cheesy, but also "unbearably sexy," so I'm gonna need some brain bleach before the credits even roll. They make out, and this scene was totally unnecessary.
After the credits, Mitch and Dawson are discussing Mitch's meeting about buying a property.
After the credits, Mitch and Dawson are discussing Mitch's meeting about buying a property.