Spencer is sitting alone in the common area at Radley when the PLLs drop by. It appears to be well past visiting hours, but Radley's just making shit up as she goes. Anyway, the PLLs dropped by to let her know that they have good news, but they have a really interesting interpretation of "good news" because that news is that the cops found a camper's body. I mean, yay for Toby, but also sucks for that camper and his family, you know?
Lorraine: Plus, they seem to have missed the part where Spencer is in there because she saw Toby's body. "Good news, your boyfriend is alive, but you are DEFINITELY crazy!" Thanks, girls! Nice way to start the episode.
Mona is using a compact to both check her lipstick and spy on Hanna, Aria and Emily. She slams it shut and the music seems to think that's a BFD. We head over to the Liars who are freaking out because Spencer is a no-show for school, even after an SOS text from Emily. Hanna tries to calm everyone down. Emily says that if Spencer doesn't respond, they'll go to her house after school.
The bell rings and the girls take off. They are stopped by someone I'm guessing is the principal. (S: LOL, look at him, pretending to have any authority at this fake school.)
The bell rings and the girls take off. They are stopped by someone I'm guessing is the principal. (S: LOL, look at him, pretending to have any authority at this fake school.)
This episode begins shortly after the last, with Emily arriving to hear Spencer's big secret. Hanna's not answering her calls, so Spencer has to confess without her: Toby is A.
Marin Manor. Ashley and Hanna return and Ashley wants to call the hospital and the cops, which would have been good ideas a while ago, before she went to get her child to help her with her crime. Hanna explains that now that she's left the scene of an accident and all, she should just not call the cops. Ashley continues to let her child be the grown up and agrees, but only so long as Hanna promises not to tell her friends about this.
Marin Manor. Ashley and Hanna return and Ashley wants to call the hospital and the cops, which would have been good ideas a while ago, before she went to get her child to help her with her crime. Hanna explains that now that she's left the scene of an accident and all, she should just not call the cops. Ashley continues to let her child be the grown up and agrees, but only so long as Hanna promises not to tell her friends about this.
Rosewood's One Coffee Shop, after-hours because there is no one around. It's the same day as the last episode so the beginning exposition ("Any word from Jason while we've been together this entire time?") is especially clunky. Emily has not heard anything from Jason. Hanna wonders if now that the whole National Adolescent Terrorization Club is out of Rosewood, A will retire. Spencer gives the appropriately jaded, "YEAH RIGHT." response.
Emily redirects the conversation over to Cece lying to them about knowing Wilden. The girls wonder if maybe she's Red Coat. Spencer is distracted by an incoming text message. Aria asks her what she thinks and she's all, "maybe Cece is Red Coat!" Aria tells her to pay attention.
Emily redirects the conversation over to Cece lying to them about knowing Wilden. The girls wonder if maybe she's Red Coat. Spencer is distracted by an incoming text message. Aria asks her what she thinks and she's all, "maybe Cece is Red Coat!" Aria tells her to pay attention.
At Rosewood High School for Nervous Breakdowns, Emily, Aria, and Hanna are freaking out because Spencer Hastings is no longer showing up for school. Hanna's less concerned, though, because she figures that Spencer's just hurting and lashing out and needs to work through her pain.
Emily resolves to comfort her and share the I Dreamed A Dream of Girls in Red Coats news, because this plot is now being openly fueled by stress dreams. Hanna supports this by saying she maybe also imagined a Blonde in Red Coat at her fake job interview.
Emily resolves to comfort her and share the I Dreamed A Dream of Girls in Red Coats news, because this plot is now being openly fueled by stress dreams. Hanna supports this by saying she maybe also imagined a Blonde in Red Coat at her fake job interview.
At Rosewood's One Coffee Shop For Girls Who Need to Learn About Sleeping In, the girls are sitting on the couch that they seem to always commandeer as Aria tells them that Ezra sent an, "I'm here" text but otherwise, hasn't communicated with her. I guess he's too busy meeting his child to text his child-girlfriend. Spencer is still acting all shifty and excuses herself to get a coffee refill, leaving the rest of the Liars to discuss whether or not Detective Wilden has already read the Biology Cluebook, meaning he knows what they know. Which is what we know and translates to, "three seasons of very, very little." Something like that.
Sweeney: In the years of working on this blog, I've learned that a lot of people are making very good money by taking things they've already written (or that someone else already wrote) and basically throwing a thesaurus at the situation in order to come out with a "new" thing, for which they can be paid again.
Sweeney: In the years of working on this blog, I've learned that a lot of people are making very good money by taking things they've already written (or that someone else already wrote) and basically throwing a thesaurus at the situation in order to come out with a "new" thing, for which they can be paid again.
It's been a while, friends, but I'm confident that things are ever as we remember in Rosewood.
Sweeney: A place in which dramatic music and zoomy cameramen keep trying to tell you that EPIC THINGS ARE HAPPENING but the actual rate of change suggests that nothing ever happens here.
Lor: Exactly. That's the city motto, I think.
We start the episode with a small peek at TOBY ABS! I mean it's dark and stuff and we're mad at Toby for being part of the A team and making Spencer cry, but yes. Abs are near.
Sweeney: A place in which dramatic music and zoomy cameramen keep trying to tell you that EPIC THINGS ARE HAPPENING but the actual rate of change suggests that nothing ever happens here.
Lor: Exactly. That's the city motto, I think.
We start the episode with a small peek at TOBY ABS! I mean it's dark and stuff and we're mad at Toby for being part of the A team and making Spencer cry, but yes. Abs are near.
After the horror of THE LATEST BAD THING, the girls sit around Montgomery Manse drinking tea and brooding with Aria. Hanna breezes in like a breath of fresh air, with her bubbly personality and bag of sick coping trashy pop culture, which is how Snark Ladies deal too.
Lorraine: Any time I'm sick, I think, "at least there's more time for TV!" #adult
Sweeney: The girls discuss whether or not Meredith Center Stage is sincere in her confusion over this latest development with Byron.
Lorraine: Any time I'm sick, I think, "at least there's more time for TV!" #adult
Sweeney: The girls discuss whether or not Meredith Center Stage is sincere in her confusion over this latest development with Byron.
Aria is watching a black and white film when her father comes in and PAUSES THE MOVIE. WHO ARE YOU, BYRON MONTGOMERY? What murder are we still trying to figure out? Alison's? Byron did it. He pauses other people's movies and is therefore evil.
Really, he wants to talk about the fire someone started at that charity race last episode. Aria says they talked about it enough when Shitbag Montgomery was accusing her and the Liars of setting it. As it turns out, the principal called Byron because they've identified the real culprit. Byron's all, "sorry," and Aria uses her Big Eyes to give him a death glare. She grabs the control and unpauses the movie. Byron tries to chat about the movie, saying the dude keeps a severed head in a hatbox and Aria looks at him like, "OH MY GOD, DAD. NOW YOU ARE GOING TO SPOIL THE MOVIE?"
Really, he wants to talk about the fire someone started at that charity race last episode. Aria says they talked about it enough when Shitbag Montgomery was accusing her and the Liars of setting it. As it turns out, the principal called Byron because they've identified the real culprit. Byron's all, "sorry," and Aria uses her Big Eyes to give him a death glare. She grabs the control and unpauses the movie. Byron tries to chat about the movie, saying the dude keeps a severed head in a hatbox and Aria looks at him like, "OH MY GOD, DAD. NOW YOU ARE GOING TO SPOIL THE MOVIE?"
Hanna is laying in bed in the middle of the night when Mona creeps up on her like a total fucking creep. Mona tells Hanna that she was just released from Radley with a clean bill of mental health (lol k) and Hanna is like, "You were released in the middle of the night??" which is a valid question but an even more valid question would be, "HOW DID YOU GET INTO MY HOUSE?" Why do these girls not all have security systems in their big, fancy, rich people homes?
Lorraine: Shit, I'd settle for locks in my big, fancy, rich people house.
Sara: Mona is worried because she has to start public school at Rosewood School For Not Having School, and she knows that everyone will be talking about her and how she tried to kill some people. (S: Girl, middle-of-the-night B&E is not really the way to go convincing people that you're not crazy.)
Lorraine: Shit, I'd settle for locks in my big, fancy, rich people house.
Sara: Mona is worried because she has to start public school at Rosewood School For Not Having School, and she knows that everyone will be talking about her and how she tried to kill some people. (S: Girl, middle-of-the-night B&E is not really the way to go convincing people that you're not crazy.)
We start off in the asylum on a stormy night with Mona doing some creepy singing about teddy bears having their picnic today. (Pretty singing, though! Do we have a pretty+creepy word in our creepcabulary? It could often be used to describe Mona.) She's painting a head. (YVONNE LEHEAD?) She draws a big red blob on the lips which are magically perfectly painted a hot second later. Continuity is for people with no imagination. Mona monologues about how she gets to do an art project for Halloween, even though they're not big on Halloween around those parts. She turns around and we see that she's talking to a hooded member of the A-Team (Toby?) as she continues about how much she loves Halloween. (You're making this awkward for me, Mona, because I also love the shit out of Halloween.)
We're at some sort of crime or accident scene, and watch as paramedics wheel a gurney into the back of ambulances. A crowd has gathered, and our fabulous and fashionable fibbers are there as well. Hanna is bawling as Aria and Spencer hold her up. A little ways away, Gossip Cop (at least I think it is. I may just be calling every cop who isn't Wilden Gossip Cop) (S: None of them do a whole lot of law officering, so probably accurate.) asks Emily if the deceased was their friend. Emily doesn't answer, and it's probably because Hanna's really loud gasp-crying is super distracting.
Sara: For real though, Hanna, tone it down. Shit.
Sara: For real though, Hanna, tone it down. Shit.
Hanna and Spencer are in the former's room as she tries on outfits and complains that nothing covers the bandage on her leg from her gigantic improbable stab wound. There's always... pants?
Lorraine: MIND BLOWN. The Improbable Wound is mid-thigh. I'm not sure she should be having this much difficulty finding something to cover it.
Sweeney: You live in Pennsylvania. There's no way that you don't own clothing that will cover past mid-thigh. Winter is coming, girl. (Eventually. One day. Maybe.)
Lorraine: MIND BLOWN. The Improbable Wound is mid-thigh. I'm not sure she should be having this much difficulty finding something to cover it.
Sweeney: You live in Pennsylvania. There's no way that you don't own clothing that will cover past mid-thigh. Winter is coming, girl. (Eventually. One day. Maybe.)
Ashley Marin ordered a plant but it's too big and she's trying to move it out of the way, asking for Hanna's help and she teenagers that it's fine where it is. The Great Contrivance Spirit whisks Ashley away to answer her phone, leaving Hanna to move some small plants out of the way and magically discover an old note from Maya to Emily.
The other Liars all come over so that Hanna can read them the message. Maya's phone was stolen and she had something that she needed Emily to see. The note asks Emily to meet Maya somewhere, but weather and the fact that the episode just started eroded that part of the note. Just that part. Em's 100% sure the note is from Maya. The girls are pretty sure it's the evidence that Garrett is Ali's killer and that's why she got killed. Aria looks more closely at the note and guess what wasn't magically washed away? The date. Maya wrote it the day she died. Maybe it was all that note-writing that got her killed.
The other Liars all come over so that Hanna can read them the message. Maya's phone was stolen and she had something that she needed Emily to see. The note asks Emily to meet Maya somewhere, but weather and the fact that the episode just started eroded that part of the note. Just that part. Em's 100% sure the note is from Maya. The girls are pretty sure it's the evidence that Garrett is Ali's killer and that's why she got killed. Aria looks more closely at the note and guess what wasn't magically washed away? The date. Maya wrote it the day she died. Maybe it was all that note-writing that got her killed.
Rosewood's One Coffee Shop. Aria wants Spencer to look at a picture she found on Maya's website. It's a picture of a stamp on Maya's wrist and it's the same stamp Holden had on his wrist when Emily inexplicably ran into him at the church party. Aria thinks this is a huge clue and is confused by Spencer's lack of interest. Spencer explains that she can't Nancy Drew shit anymore. Only five days ago, she forgot to apply to college. Aria clarifies that it was only an early admissions deadline, but this is Spencer Hastings we're talking about. Aria tries to tell her that everything will be okay but (1) - Aria's wearing a skeleton crop top on top of some sort of gold lame tank top so no one can take her seriously and (2) - Spencer recently got a B on homework so her world is falling apart.
Sweeney: LOL, it's fun that this show tries to pretend they can possibly be going to school, what with all their 4am coffee dates midnight asylum break-ins.
Sweeney: LOL, it's fun that this show tries to pretend they can possibly be going to school, what with all their 4am coffee dates midnight asylum break-ins.