New York City in 1977. We follow the pouring rain down to the street where Spike and Nikki are fighting and exchanging quips. Behind a nearby bench, baby!Wood watches the fight. Spike has Nikki in a headlock, and baby!Wood startles and knocks over a trashcan. Spike is distracted enough that Nikki is able to break out and continue the fight. She pulls out a stake and throws it at Spike, but he catches it mid-air and says he's spent a long time tracking Nikki down, and he doesn't want the fight to end so quickly. With one last compliment to her coat, he takes off.
Baby!Wood calls out to his mom. She tells him he did a great job staying low, just like she asked. I call bullshit on Spike not smelling/hearing/seeing the kid, but okay. Good job, baby!Wood.
Bach is playing and we're clearly in a fancy room which suggests flashback, at first, until I spot a comic book and then a Star Wars poster. This, instead, is Andrew's episode. He's sitting in a leather chair, telling the viewer that he's catching up on an old favorite, closing a fancy old book. "It's wonderful to get lost in a story, isn't it?" Sometimes, Andrew. Sometimes. He tries to smoke from a pipe, but coughs before awkwardly inviting to join him on the story of "Buffy, Slayer of the Vampyres."
Lorraine: I would've never thought to combine Andrew and Masterpiece Theater, but here it is in all its glory.
Sweeney: A rare stroke of S7 genius.
Lorraine: I would've never thought to combine Andrew and Masterpiece Theater, but here it is in all its glory.
Sweeney: A rare stroke of S7 genius.
One of these days, I'll stop making KFC references in the title. BUT NOT TODAY. Chez Summers. Buffy wanders around in the dark, turning off lights, picking up books and generally checking on sleeping Potentials. Upstairs, she sees one girl, Chloe, crying in the corner of the hallway and heads towards her. But something jumps out at her and knocks her down the stairs. She lands at the bottom, the First Slayer above her. "It's not enough," the First Slayer hisses, and Buffy wakes with a start. Cue wolf howl.
Lorraine: I'm going to admit that I'd previously been confusing the First and the First Slayer in my head. #Snowproblems.
K: Awkward...
Lorraine: I'm going to admit that I'd previously been confusing the First and the First Slayer in my head. #Snowproblems.
K: Awkward...
I have no qualms about saying that this episode freaks me the fuck out, and I didn't even grow up in a country where trying to summon a ghost in the bathroom mirror at a sleepover is even a thing. (S: Lucky.) We open in Toledo, Ohio where a trio of 12 year old girls are playing Truth or Dare by candlelight. One of the girls, Lily asks for a dare and is told by her friend to say Bloody Mary in the bathroom mirror. Here, random friend, have a gold star!
Anyway, the second friend asks who Bloody Mary is, and there's some confusion over the background but the gist is that if you say her name three times in the mirror, she appears and scratches your eyes out. "So...why would anyone say it?!" asks the second friend, who's clearly the only sensible one here.
Anyway, the second friend asks who Bloody Mary is, and there's some confusion over the background but the gist is that if you say her name three times in the mirror, she appears and scratches your eyes out. "So...why would anyone say it?!" asks the second friend, who's clearly the only sensible one here.
A title card tells us we're in Tijuana, Mexico. And in case you missed the title card there is also some generic, Mariachi-type music playing as we look out a little bar. In a back alley, a young, nervous looking boy is fiddling with a piñata and what looks like a small, bubble wrap envelope. He drops one envelope into a dumpster and grabs something out of it. Once he has that all settled, he walks to a nearby car and knocks on the window. Inside, are Troy and Logan.
Democracy Diva: In a nearby alley, Marissa Cooper is almost dying of a pills-and-tequila overdose. #headcanon
Sweeney: Accepted.
Democracy Diva: In a nearby alley, Marissa Cooper is almost dying of a pills-and-tequila overdose. #headcanon
Sweeney: Accepted.
Piper Mom is teaching some plot relevant lessons that allow the zoomy cameraman to capture "A" and "insane" on the blackboard. She talks about how desperate actions seemed necessary but were actually stupid. The girls are too busy staring off into space and thinking about how this applies to them being near or around a shovel to take notes, which displeases Piper Mom. But also fuck her. Emily opens her purse to find a creepy necklace made of teeth and letters spelling out, "DEAD GIRLS CAN'T SMILE" and runs to the bathroom, and the other girls also see themselves out in the middle of class because Piper Mom is a sham of an adult whose authority is respected by no one.
Sara: Interrupting just to say that Aria's dress is on point.
Sara: Interrupting just to say that Aria's dress is on point.
Faith is all bloodied and broken and Wesley tries to tend to her. She says she's okay, though she could use a shower. Wesley asks if she's sure if she's okay and all she says is that she's sticky. In the bathroom, we see Faith peel layers of clothes off her very bloodied body and then step into the shower. The stream of water starts to wash away the blood (but not the make-up!) and then she straight freaks the hell out and starts punching the tile wall, yelling as she does. That seemingly out of her system (at least for now) she goes back to washing off the blood.
Sweeney: This scene was really striking especially considering their last encounter before all of this. I kept waiting for that to be brought up, but I suppose it was sufficient that it made me think of it.
Sweeney: This scene was really striking especially considering their last encounter before all of this. I kept waiting for that to be brought up, but I suppose it was sufficient that it made me think of it.
We jump back in time to that moment in London where Giles is about to get his head chopped off by a Rage Ninja. This time, we see the whole scene through: Giles grabs the axe like a, well, ninja and uses it to cut the Bringer's head off. In the present, Giles is telling this story to Buffy and the Potentials as they walk through a cemetery. This group includes a new Potential named Chao-Ahn. He's going on and on about how it was a mix of luck, years and years of training and an uncanny sense, so you just know something is about to catch him off guard.
Sweeney: It's season 7 people. You should all have learned your lesson about self-assured speech-giving by now.
Sweeney: It's season 7 people. You should all have learned your lesson about self-assured speech-giving by now.
The episode starts looking out at a shed, in a shot very similar to the Pilot. It's five months after the events of the season two finale and the close of summer break. In the clunky way we've come to know and love to make fun of, the girls recap their summers: Aria beat out thousands of applicants for a photography course (S: LOL. Have we ever once seen Aria take a picture?); Spencer took a full load of classes at Hollis College of Pottery and Pedophiles; Emily built houses for the less fortunate; Hanna had a to-do list which she kind of completed.
Sweeney: I feel you, girl. Except, you know, I actually took all those jobs where I worked for free.
Sweeney: I feel you, girl. Except, you know, I actually took all those jobs where I worked for free.
Angelus is strolling the halls of Brooding HQ, and is bummed when he finds Lilah's corpse, because that's less fun. He feeds on her anyway, and is still feeding when Wes and Gunn round the corner. Gunn throws his weapon with terrible aim, given the range. Angelus drops Lilah and flees through the window. Wes's face falls when he takes in the sight of dead Lilah.
Gunn goes back to the lobby where the others are tending to a wound in Cordelia's leg. Gunn informs them that Lilah's dead. Cordelia gets shifty eyes and ominously announces that it's started. Electric Cellos.
Gunn goes back to the lobby where the others are tending to a wound in Cordelia's leg. Gunn informs them that Lilah's dead. Cordelia gets shifty eyes and ominously announces that it's started. Electric Cellos.
The previouslies remind us of Warren murdering Tara and the flaying, so that's SUPER promising. Giles is heading off to the desert to take the Potentials on Vision Quest, fretting about whether or not Buffy will be all right, Buffy jokes that they've managed longer than that -- you know when he ABANDONED THEM. The rest of the Scoobies strut in and out of the scene to talk about making marshmallows, the fact that the girls are fighting over who gets to drive since Giles doesn't have a valid license, and let Giles know that Molly is locked in the trunk. Good times.
Kirsti: My favourite thing about this scene is Giles berating Buffy for what she told the Potentials about the Vision Quest:
Kirsti: My favourite thing about this scene is Giles berating Buffy for what she told the Potentials about the Vision Quest:
Sweeney: Veronica welcomes us back to Neptune by face nomming Troy outside her door at the end of a date. Before leaving he nonchalantly mentions homecoming, but in a we're-too-cool-for-homecoming kind of way. Veronica goes inside and asks Keith what he thought of Troy - asking if he ran Troy's license plates. Keith plays it cool, insisting that he has no idea what is inspiring this line of questioning, waiting until she's almost in her room to drop the, "It's time for me to meet this boy," bomb. Veronica resists, but loses this battle.
Lorraine: I love that his sticking point is that that Troy is cutting into daddy-daughter time, and they don't do things together anymore. A PARENT! WHO WANTS TO SPEND TIME WITH HIS CHILD!
Lorraine: I love that his sticking point is that that Troy is cutting into daddy-daughter time, and they don't do things together anymore. A PARENT! WHO WANTS TO SPEND TIME WITH HIS CHILD!
We open in the Shaman Dungeon. Just as a couple of episodes ago, there's the sound of fighting, then the guard comes flying through the door and lands unconscious on the floor. Wes, Cordy and Connor walk in and start throwing accusations around. The shaman informs them that he has no need for a soul in a jar, and that he has no idea where it might be. Cordy demands that he switch to his re-ensouling Plan B, but there is no Plan B. Connor asks what happens if the soul gets out of its bottle, and the shaman says that it can be either returned or destroyed.
Lorraine: The Gang should've really asked about the unsouling fine print before this point.
Lorraine: The Gang should've really asked about the unsouling fine print before this point.
After approximately a million years worth of previouslies, we're in the cemetery at night. Rona and Vi wander around looking nervous, stakes in hand. They hear a rustling noise behind them and are jumped by Spike. He goes to bite Vi, then stops as the camera pulls back to reveal Buffy and the other Potentials conducting a training exercise. Rona complains that it's never going to be a fair fight, because she doesn't have Slayer strength, and Buffy informs them that while they may not have that, they're still strong. It would be a nice "YAY GIRL POWER!" speech if it didn't continue with her saying that they're strong because they have abilities that other, non-potential-slayer girls don't have. Sigh. On the plus side, she tells them that they have the potential, thereby earning herself a gold star. It's been aaaaaaaaaaaaages since Buffy had one, so wheeeeee:
You could think of this post as late, or you could think of it is as a nice little reminder of all the fun we had at the beginning of the month. Two weeks in internet time is like years so now it's time to get all nostalgic and reflect on our most recent #snarkathon adventure.
This month we watched I Know Who Killed Me and there's not a whole lot to say about this movie. It's basically The Parent Trap with strippers, artificial limbs, and torture porn.
Our girl Lindsay Lohan is not only characters in the story, but also narrating the story as some sort of class project - you know, for those days where your teachers have you read out shitty horror stories.
This month we watched I Know Who Killed Me and there's not a whole lot to say about this movie. It's basically The Parent Trap with strippers, artificial limbs, and torture porn.
Our girl Lindsay Lohan is not only characters in the story, but also narrating the story as some sort of class project - you know, for those days where your teachers have you read out shitty horror stories.