So, I start off pumped because I love the Supernatural time travel episodes. Then I immediately sigh because we open with Dean sitting in a chair watching two girls, dressed as a devil and an angel, sexy dancing to the song Cherry Pie. It's kind of awkward to be watching this in a public cafe, so I fast forward a wee bit. (K: Legit.) The girls go away and are replaced by Anna! Remember her? The angel girl? I always liked her. She awkwards that this is what Dean dreams about and he asks why she's crashing his dreams.
It's 2 a.m. and Grey can't sleep. I can't either, because his stupid ass is awake and I'm having to read about it, but here we are anyway. He's busy mulling over ex-submissive Leila, his own “waking nightmare.” In typical Grey fashion, he spends only about .2 seconds (A: seven whole words!) thinking about Leila before making it all about him. Her pain reminds him of his pain as a teenager, or something.
He goes to his piano to play moody music. He's upset that Ana's not there, and he can't just fuck himself into forgetfulness because, damn her, she never signed his contract. So now it's becoming Ana's fault, nice.
He goes to his piano to play moody music. He's upset that Ana's not there, and he can't just fuck himself into forgetfulness because, damn her, she never signed his contract. So now it's becoming Ana's fault, nice.
We open at the Motel of the Week. (S: I'm so excited I'm so excited I'm so excited.) "Supernatural is filmed before a live studio audience," Dean voiceovers. Music tinkles and the entire colour palate is a million times brighter and happier than usual. Inside the motel room - which has a huge and very clean kitchen - Dean has made a comically oversized sandwich. A studio audience offscreen cheers and claps. "I'm gonna need a bigger mouth," he says. Canned laughter.
Sam enters to cheers and applause. Dean asks what's happening. "Just the end of the world!" Sam says, all upbeat.
Sam enters to cheers and applause. Dean asks what's happening. "Just the end of the world!" Sam says, all upbeat.
In order to adequately recap this episode, I need to start with Snark Lady Storytime: once upon a time (read: July 3rd 2014) in a faraway kingdom (read: Snark HQ), two Snark Ladies were trying to work out how best to recap Dawson's Creek after season 1. Should we alternate? Stick exclusively to odds/evens? Or alternate and then split the season finale? And I'm not going to lie: my decision was made solely based on the fact that I'd get to recap this episode, and Diva was nice enough to not interfere.
It's about 5 days later, but we're starting off with information from the background check Grey ordered on Ana at the end of the last chapter. In true EL James style, we are treated to ALL the information, which is a bunch of details that I don't care about and am forgetting immediately. This includes her freaking Social Security Number, bank account balance and SAT score! It claims she got a 2150. Anyone know how to translate that into the old scores? I really hope it isn't higher than Buffy's 1430 but this is Grey, so anything can happen.
Alex: It also includes her 'mobile' number, which strikes me as something that the 'Americanism' team should maybe have picked up on? Also, I'm kind of curious about whose number that actually is.
Alex: It also includes her 'mobile' number, which strikes me as something that the 'Americanism' team should maybe have picked up on? Also, I'm kind of curious about whose number that actually is.
The last actual book recap we posted went up in October of 2013. WHAT EVEN. I mean, sure, there were lots of series wrap-up posts, a trailer to dissect and a movie to die through, but still. It seems like only yesterday we were holding each other in the comments.
I sent out an email to the rest of the Snark Ladies asking if any of them loved me enough/hated their lives enough to recap along with me. Some of them will be popping in and out for one off things, but two brave souls volunteered as tributes: Alex and Jessica. Say hello ladies!
I sent out an email to the rest of the Snark Ladies asking if any of them loved me enough/hated their lives enough to recap along with me. Some of them will be popping in and out for one off things, but two brave souls volunteered as tributes: Alex and Jessica. Say hello ladies!
Bobby walks through his house with a flashlight in hand. He hears a noise and turns, but there's nothing there. He heads into the kitchen and looks around, but it's empty. Suddenly, a woman screams and attacks him. He falls to the floor, and she shakes him back and forth. The screen flashes white a few times and we cut to Bobby asleep in a motel bed. It's daylight. A maid enters, and apologises when she sees him. She pulls the keys from the door, and they jangle. But Bobby doesn't budge. She looks concerned and walks over to him. She shakes his shoulder a little, and he still doesn't move. We cut back to the screaming woman in the kitchen and Bobby trying to fend off her blows.
Shrine o' Spielberg. Due to their sad tragic single status and the fact that it's apparently a million degrees, movie night's list of attendees has been reduced to Dawson and Pacey. It may also have something to do with how much they're sweating. Seriously, it's gross:
Democracy Diva: For real. They don't even look like they're sweating - they just look like they're covered in baby oil.
K: YES. Which, to be honest, they probably were.
Pacey bemoans the state of their lives, and also how much Indian summer sucks, thereby earning himself a shiny gold star.
Democracy Diva: For real. They don't even look like they're sweating - they just look like they're covered in baby oil.
K: YES. Which, to be honest, they probably were.
Pacey bemoans the state of their lives, and also how much Indian summer sucks, thereby earning himself a shiny gold star.
We start with some very un-Dawson's Creek-esque rock music. A hot and sweaty (ugh) Dawson wakes on a bus and turns to check out the hot blonde girl next to him. Except he has drool all over his chin. She informs him of this and follows up with "You're a very heavy breather, did you know that?" LOL. She asks what he's watching - right, because his 1999 laptop would have enough battery power to watch an entire movie - and he tells her it's Risky Business. She scoffs at them having made a teenager losing his virginity to a hooker romantic, and Dawson claims it's more of a myth. He more or less uses the phrase "boy on the verge of manhood" that I hated so very much from season 1, so I want to punch him in the face more than usual. She declares him adorable, and he introduces himself.
San Francisco. A pretty young brunette (Madison) is getting drinks with her friends when her boss approaches and says he needs her back at the office because they have a ton of work to do. She calls bullshit. He sheepishly admits it, then begs for a lift. She calmly says she's already called a cab. He walks away, and Madison and her friends laugh. But she stops when she spots a surly looking dude in a leather jacket staring at her creepily from across the bar. She looks worried. Cut to her walking to her car alone. GIRL, NO. When she gets in her car and drives off, Leather Jacket Stalker follows. Cut to Madison's office the following morning. She's making coffee when she spots blood on her boss' office door. She finds him dead on the desk, chest ripped to shreds.
First I need to share that when I realized I would have to recap this episode, I yelled out, “NO!” That should be enough to let you know how I feel about it.
Lorraine: A common Snark Lady problem. In fact, Kirsti was known to work out who would get what episode during entire seasons of Buffy. That moment of realization that an episode is yours is best drowned in Goblets of Win.
Sweeney: Not knowing what trauma lies ahead is one of the occasional perks of Snow Life.
Lorraine: A common Snark Lady problem. In fact, Kirsti was known to work out who would get what episode during entire seasons of Buffy. That moment of realization that an episode is yours is best drowned in Goblets of Win.
Sweeney: Not knowing what trauma lies ahead is one of the occasional perks of Snow Life.
We open, predictably, in the Shrine o' Spielberg. Joey's crying her way through the first cut of Dawson's autobiographical shitfest. As it finishes, he asks for her opinion. "In my whole life, I've never been so unequivocally moved by words and moving images on screen!" she says before continuing that this movie will change people's lives. Dawson's thrilled. Joey says that there's no doubt that Jack McPhee will be one of the great filmmakers of our generation. Dawson's all "Skrrrrt, WHAT". He grabs the tape from the VCR and finds that it says it was directed by Jack.
He's confused. Jack climbs in the window, and he and Joey gush over each other for a minute before Jack says that he bumped into Spielberg and has been offered a job.
He's confused. Jack climbs in the window, and he and Joey gush over each other for a minute before Jack says that he bumped into Spielberg and has been offered a job.
Shrine o' Spielberg. Pacey's watching Jerry Maguire as Dawson walks in carrying homework. It seems that Pacey's been hanging out at Leery Manor every day so that his douchey father doesn't know he got suspended. Um. Do they not inform your parents of suspensions in America, or is this a TV Land thing??
Democracy Diva: Oh, I thought he was just avoiding his douchey father's rage, but that Douchey Father did know about the suspension. If not, then yeah, that's definitely just a TV Land thing.
K: CONFUSION.
Democracy Diva: Oh, I thought he was just avoiding his douchey father's rage, but that Douchey Father did know about the suspension. If not, then yeah, that's definitely just a TV Land thing.
K: CONFUSION.
We pick up with the aftermath of where we left off last time, with the three couples at their respective locations. Joey thanks Jack a little awkwardly for posing for her. A pantsless Jen tells Dawson that his arrival was "an unexpected encounter." Pacey and Andie kiss sweetly by the Witter Mobile. Jack asks Joey if she has any regrets, and she shakes her head. They kiss. Dawson tells Jen he'll see her tomorrow and kisses her on the forehead before leaving. Pacey and Andie continue to be adorable before she heads inside. Jack leaves. The zoomy cameraman shows us Joey's "I DON'T KNOW HOW TO HANDLE THIS" face. Then Pacey's. Then Jen's.
I DON"T WANNA WAIT. (D: FOR THIS EPISODE TO BE OVER, OH I WANT TO KNOW RIGHT NOW - WHO GOT LAAAAAIIIIID!)
I DON"T WANNA WAIT. (D: FOR THIS EPISODE TO BE OVER, OH I WANT TO KNOW RIGHT NOW - WHO GOT LAAAAAIIIIID!)
The episode begins, of course, with Dawson confessing his undying love for Pacey. In the greatest fan-service scene since Pacey's Braveheart monologue, we watch our least favorite leading man and our favorite leading man be totally gay together.
Kirsti: My notes specifically say "...does this count as queerbaiting???"
Diva: Dawson leans in like he's going to kiss Pacey, but then grabs his script and points out that Pacey missed a line. Because they're doing a dramatic reading of Dawson's script, with Pacey playing the girl. For rehearsal, even though neither of them plan on acting in this film. Okay, sure, show.
Kirsti: My notes specifically say "...does this count as queerbaiting???"
Diva: Dawson leans in like he's going to kiss Pacey, but then grabs his script and points out that Pacey missed a line. Because they're doing a dramatic reading of Dawson's script, with Pacey playing the girl. For rehearsal, even though neither of them plan on acting in this film. Okay, sure, show.