We pick up this chapter approximately 15 minutes later. Tessa has curled her hair! Oh my god! I really wasn't sure what she was going to do after that curling iron cliffhanger!
Steph offers Tessa her makeup, like a nice person. Tessa tells us that she's a member of the Big Eyes club.
She asks for some eyeliner and Steph gives her brown, black, and purple. Steph also suggests that the purple would look pretty with Tessa's Big Eyes but Tessa isn't a slut or something so she can't use purple. She puts on a little bit of black and Steph is proud. This has all been a literal 1/4 of this chapter.
Future, at an unidentified Asian locale. (K: Hooray! Not!White places are always exciting to me.) Donna and the Doctor are walking through a market and generally being so damn happy and adorable that it hurts me. We know that the Doctor has all of these adventures with his companions and we, as the audience, seem to stop in on them when things go wrong. They reference, though, and there is this sense that there are other, generally "normal" adventures. I know everything is about to go to shit in one moment, but this brief moment of pure travel adventure gave me feelings.
It's Thanksgiving Day and Aria, Hanna and Emily are sadly standing outside of a house. There are police cars everywhere and some police tape is blocking off the entrance to the house. Ezra is there too, but I try to ignore him as much as possible.
Jessica: A good piece of advice for all of us.
Jessica: A good piece of advice for all of us.
We get another extensive previously section and it reminds us that Littlefinger exists. I think they are going to whip out one "remember them??" character per episode.
Catherine: This whole season has been like a Westeros High reunion.
Mari: Before Facebook, when you really didn't know what anyone was doing.
The credits take us to King's Landing, The Eyrie, Winterfaux of Perpetual Sadness, across the Narrow Sea to Vaes Dothrak, and finally to Meereen.
Catherine: This whole season has been like a Westeros High reunion.
Mari: Before Facebook, when you really didn't know what anyone was doing.
The credits take us to King's Landing, The Eyrie, Winterfaux of Perpetual Sadness, across the Narrow Sea to Vaes Dothrak, and finally to Meereen.
We start right back in the LOLPD station. The man who "kidnapped" Ali is staring creepily at the one-way window. On the other side, Detective Tanner is talking to Papa DiLaurentis. She explains that one of Ashley Marin's neighbors saw creepy dude (Cyrus) lurking in her backyard. Tanner tells Papa D to keep his mouth shut until the cops have evidence to press charges.
Papa D asks to see his daughter. We cut to a room where Alison is having emotions while looking at a mug shot of Cyrus. Papa D comes in and asks if this is the man who hurt Alison. She makes about 37 more faces before saying she doesn't know.
Papa D asks to see his daughter. We cut to a room where Alison is having emotions while looking at a mug shot of Cyrus. Papa D comes in and asks if this is the man who hurt Alison. She makes about 37 more faces before saying she doesn't know.
Marin Manor- Hanna's room. Spencer and Emily are taking on our job momentarily and poking holes in Ali's Noel-scares-Hanna's-mom plan from last episode. Spencer's particularly grumpy with her horse-kicked eye. (M: I'd be grumpy about everything with a horse-kicked-eye.) They all question Ali's decision but she snaps at them that Noel is the one she can trust, since all they do is ignore her SOS calls and spy on her every move. She storms out to go call her dad.
Class at Rosewood! But it's choir class, so half points. The Liars are in the front row, singing What Child Is This? and Hanna either hates choir class or is still hungover? Something.
Jessica: Christmas carols are bad enough when you're sober and not being forced to sing them.
Mari: Right, or she hates Christmas carols.
In an adjacent room which we can conveniently see into thanks to a large window, Detective Tanner is asking Alison questions about the last time she spoke to Shana.
Jessica: Christmas carols are bad enough when you're sober and not being forced to sing them.
Mari: Right, or she hates Christmas carols.
In an adjacent room which we can conveniently see into thanks to a large window, Detective Tanner is asking Alison questions about the last time she spoke to Shana.
Rosewood High book sale. Aria looks at Hanna appraisingly, making Hanna think she hates "it." I'm like, "what?" until I remember the dye job. And it isn't until the camera changes to a side angle that I can even tell what this drastic change even is: chunks of black underneath the top layer of her blond hair. HANNA, I BARELY RECOGNIZED YOU.
Jessica: It's like the makeup department called a huddle and said "ok, how can we change the blond girl's hair while still keeping her blond?"
Jessica: It's like the makeup department called a huddle and said "ok, how can we change the blond girl's hair while still keeping her blond?"
The happiest two seconds of the entire series happen when an EMT says Ezra's pulse is getting weaker. The only one who is sad about this is Aria. Her friends hold her back and tell her she shouldn't go with Ezra to the hospital because then the pesky cops will start asking her questions. Apparently, no one from the NYPD notices Aria hyperventilating after Ezra; they are busy questioning Noel Khan. Alison is on a fire escape, watching the ambulance ride by. A is-- TRUE STORY-- riding on the top of the ambulance like some kind of extra-deranged Spider-Man. I hate this show.
Spencer is in her room unpacking the bag she took to rehab and snapping at her mom. She apologizes and says that she's just irritable because of that whole 'kicking her drug habit' thing. Mariska Mom takes it in stride, which is the least she can do after being a horrible mother 95% of the time. Spencer has some weird flashbacks to the night Ali died and her mom suggests she get some rest.
Jessica: Well, PLL solved Spencer's rehab the same way Gotham solves everything — skip to the end.
Jessica: Well, PLL solved Spencer's rehab the same way Gotham solves everything — skip to the end.
Aria cries as she fills her friends in on the ever-increasing creepiness of Ezra Fitz. See, he didn't kiss a random girl and THEN find out she was 16. He knew all along that she was a minor but he's awful and decided to exploit her anyway. Additionally, he had a "brief" relationship with Alison when she was 14. So. I actually just got really, really gaggy.
Sara: It seems like the word 'relationship' is not really accurate considering it was between a FOURTEEN YEAR OLD and a grown man in college. Gross gross gross gross.
Sara: It seems like the word 'relationship' is not really accurate considering it was between a FOURTEEN YEAR OLD and a grown man in college. Gross gross gross gross.
Spencer, Emily, and Hanna are breaking into EzrA's classroom in the middle of the day (Saturday? School day? Who knows.) to try to find something that will convince Aria that Ezra is a lying liar who lies. It's cool that they're already prepared for Aria being an asshole who's going to be all, "NU UH" about it.
Marines: "HE DOESN'T LIE. Only to people who would care he's dating his student, duh."
Sara: Spencer finds an envelope with Ali's journal in it, so they take off with it. Before they can leave, they hear footsteps approaching and watch as Mona lets herself in to Ezra's classroom.
Marines: "HE DOESN'T LIE. Only to people who would care he's dating his student, duh."
Sara: Spencer finds an envelope with Ali's journal in it, so they take off with it. Before they can leave, they hear footsteps approaching and watch as Mona lets herself in to Ezra's classroom.
Alison is in a phone booth saying very vague things that are both boring and difficult to recap. We cut to Rosewood's One Coffee Shop, where Shana is in a little... phone booth closet? For using cell phones? (S: This is both absurd and exactly the sort of hipster retro bullshit I could see being a real and actual thing at a place like One Coffee Shop.) She watches all the Liars arrive and tells Alison as much. Alison asks Shana for assurance that she can get "it," but Shana has to go because the Liars all turn toward her and are just going to stand there at stare at her, I guess. Spencer asks if they can trust her now and Emily uses the non-human logic that if Ali trusts Shana they should too. That's cool except for the part where Ali is certifiable. BUT OKAY.
We pick up right after the last episode, with the girls hanging out at the mausoleum, the hot spot of all the young liars in town. Spencer has flipped through the journal and doesn't recognize any of the names in it. Hanna says that Ali changed the names around, because she was the kind of girl who even lied to her own diary, or something. Spencer wonders why Hanna kept this to herself for so long and she tries to carefully explain that there is stuff in there that they may not know about each other or stuff they may want to forget. Emily and Spencer get snippy with her for keeping the thing to herself, but Aria calms everyone down.
It's kind of weird because episode 13 is generally the Halloween episode but no one has mentioned Halloween. Instead, the Liars are crashing the Ravenswood-party-that-requires-a-costume-and-is-also-in-a-graveyard. The girls are all, "WTF. Who throws a party in a graveyard?" and the answer is apparently, "Ravenswood" and not, "well, who goes to an Adam Lambert murder Halloween train party, GIRLS?" or "who actually attends a party in a graveyard."
BUT ANY EXCUSE FOR GORGEOUS GIRLS IN COSTUME!
Sweeney: Gorgeous girls in gorgeous, elaborate period costumes. TV teenagers have the best closets.
BUT ANY EXCUSE FOR GORGEOUS GIRLS IN COSTUME!
Sweeney: Gorgeous girls in gorgeous, elaborate period costumes. TV teenagers have the best closets.