Future, at an unidentified Asian locale. (K: Hooray! Not!White places are always exciting to me.) Donna and the Doctor are walking through a market and generally being so damn happy and adorable that it hurts me. We know that the Doctor has all of these adventures with his companions and we, as the audience, seem to stop in on them when things go wrong. They reference, though, and there is this sense that there are other, generally "normal" adventures. I know everything is about to go to shit in one moment, but this brief moment of pure travel adventure gave me feelings.
We get another extensive previously section and it reminds us that Littlefinger exists. I think they are going to whip out one "remember them??" character per episode.
Catherine: This whole season has been like a Westeros High reunion.
Mari: Before Facebook, when you really didn't know what anyone was doing.
The credits take us to King's Landing, The Eyrie, Winterfaux of Perpetual Sadness, across the Narrow Sea to Vaes Dothrak, and finally to Meereen.
Catherine: This whole season has been like a Westeros High reunion.
Mari: Before Facebook, when you really didn't know what anyone was doing.
The credits take us to King's Landing, The Eyrie, Winterfaux of Perpetual Sadness, across the Narrow Sea to Vaes Dothrak, and finally to Meereen.
We start on a static-y screen. A cheerful news reporter says that there are reports of a stockpile of cars and carjacking. We zoom out and see that we're in a vehicle of some sort and this couple is at the helm:
Kirsti: A+ description.
Mari: I'm almost sure that is really what they were going for? I can't imagine why but it had to be purposeful.
Something is banging up against their vehicle, growling. Ma American Gothic is freaking out while Pa American Gothic assures her that the police are on their way.
Kirsti: A+ description.
Mari: I'm almost sure that is really what they were going for? I can't imagine why but it had to be purposeful.
Something is banging up against their vehicle, growling. Ma American Gothic is freaking out while Pa American Gothic assures her that the police are on their way.
We begin in court, with Aaron Echolls’s testimony, which of course references his career highlight of being Sexiest Man Alive. Whatever, dude - we all know that the real sexiest men alive refuse that honor repeatedly because they’re too serious for that shit. (I’m talking about you, Ryan Gosling.) Aaron begs for sympathy by bullshitting about how hard it is for men to age in the film industry. Hilarious, when films constantly pair twenty-something year old women with fifty-year-old love interests and no one bats an eye. But Aaron pretends that men don’t get better roles as they age, because that makes all the idiots in this courtroom feel for him. Anyway, that's when Lilly entered his life and started worshipping him. He gives the Bill Clinton "I did not have sexual relations with that woman" defense.
he previouslies are loaded with Troy flashbacks, so, you know, that's a thing to prepare for. I have the vague feeling that I don't like this episode, but it wins a lot of points for continuity porn, which this show is full of and generally does quite well. Bringing back a character we haven't seen in 30 episodes is neat because it's a show's way of saying, "Yes, we know that when characters leave our immediate scope, they continue existing and being people!"
Marines: "And we realize that real people often have multiple interactions with more than 5 people." Good job, show. You are right.
Democracy Diva: For the resident Snow, these callbacks are often confusing, but even I remembered Troy as... uh... someone Veronica dated who did something fucked up to her? Right? Maybe? It's been a LONG TIME since Season 1, you guys. I know I'm supposed to hate him, I just don't totally remember why.
Marines: "And we realize that real people often have multiple interactions with more than 5 people." Good job, show. You are right.
Democracy Diva: For the resident Snow, these callbacks are often confusing, but even I remembered Troy as... uh... someone Veronica dated who did something fucked up to her? Right? Maybe? It's been a LONG TIME since Season 1, you guys. I know I'm supposed to hate him, I just don't totally remember why.
We open with a threatening knife. No, just kidding, it's a happy knife, because it's cutting cake, and cake is delicious. Veronica is trying to comfort-feed Wallace, because he has just implicated Rashard Rucker in a manslaughter. And they've said like eighty times (okay, twice) that Rashard Rucker = Lebron James, but I guess this was back when Lebron was a baby basketball star and not taking his talents to Miami. (Did I just accurately reference sports?) (L: Possibly! All I know is that he has since left Miami...)
Wallace insists he's fine, but Veronica is all, my ex-boyfriend just left town with his dead ex-girlfriend's vampire slayer baby so, just let me take care of you so I don't have to think about that.
Wallace insists he's fine, but Veronica is all, my ex-boyfriend just left town with his dead ex-girlfriend's vampire slayer baby so, just let me take care of you so I don't have to think about that.
Wallace heads inside, not too long after Stalker Cop approached him with the whole, "I am your father," deal. Wallace is clearly distraught. Alicia is happily serving dinner and her first clue that something is wrong is that Wallace says he isn't hungry. He just met a man in the driveway. A man from Chicago. He angrily asks who they buried in Cleveland and who he cried over for so many days. Alicia says that was his father but Wallace doesn't get how having two fathers works out. Wallace storms away but Alicia follows.
In the living room, she explains: she married Nathan Woods (Stalker Cop) when she was 21 years old. He started off as a narcotics detective but he went so deep undercover that things got bad.
In the living room, she explains: she married Nathan Woods (Stalker Cop) when she was 21 years old. He started off as a narcotics detective but he went so deep undercover that things got bad.
We open in Havana, Cuba. Funnily enough, it looks a lot like Neptune, except with horses. Duncan is spending some time there to grow an ugly beard hide out for awhile.
Lorraine: That beard definitely looks like it's trying too hard.
Diva: Keith has managed to track him down, while wearing a hat that makes me fully unable to take him seriously. Duncan wants to know if Keith also thinks he's a murderer. He tells Duncan that he doesn't know who killed Lilly, but he knows it wasn't Abel Koontz. Duncan is all, yeah, but it also wasn't ME, so let me grow my chin-pubes in peace
Lorraine: That beard definitely looks like it's trying too hard.
Diva: Keith has managed to track him down, while wearing a hat that makes me fully unable to take him seriously. Duncan wants to know if Keith also thinks he's a murderer. He tells Duncan that he doesn't know who killed Lilly, but he knows it wasn't Abel Koontz. Duncan is all, yeah, but it also wasn't ME, so let me grow my chin-pubes in peace
Neptune High Parking Lot. Veronica's car has stopped and lots of people are honking at her and generally being shit waffles because they SEE Veronica is having issues, so why honk? Logan and his Brogans are casually passing by, in "making jokes about poor people" distance. Logan is carving up an apple and Veronica grabs his knife all while brushing off their subpar insults.
Sweeney: 1430s all around for your Logan and his Brogans and for Veronica's delightful snark.
Democracy Diva: I was also going to give Lor a 1430 for "Logan and his Brogans," so congrats, you get a 2860!
Sweeney: 1430s all around for your Logan and his Brogans and for Veronica's delightful snark.
Democracy Diva: I was also going to give Lor a 1430 for "Logan and his Brogans," so congrats, you get a 2860!
Previously: Keith and Lamb team up to solve the case of the E-String Strangler, who doesn’t actually strangle, but definitely impacts tourism. — Clash of the Tritons Democracy Diva: I’m...
The episode kicks off with tight shots of a band plugging stuff in and starting to play. An actual title card shows off the episode title, which already makes this episode all fancy like.
Kirsti: Can we give a gold star to a title card? Or is that just too easy?
Sweeney: Given that saying the title is literally it's job, no.
Moody music plays while we get back-to-back shots of Buffy in the cemetery, Spike listening alone in the Bronze, and the band playing.
Kirsti: Can we give a gold star to a title card? Or is that just too easy?
Sweeney: Given that saying the title is literally it's job, no.
Moody music plays while we get back-to-back shots of Buffy in the cemetery, Spike listening alone in the Bronze, and the band playing.
This is my second episode this season and it is again an episode a few of you have claimed to love. We know how well that worked out for me and Beneath You. Here's hoping I can love this one. The previouslies are Anya heavy, which is a good sign.
Sweeney: No pressure or anything, Anya, but our happiness for the week rests on you.
Lor: We open at Chez Summers, where Dawn is helping Willow arrange some things while giving her advice that consists of, "do what everyone else does," "nod and smile," and generally, "fake it 'till you make it." "Do what everyone else does," seems like a good way to get dead in Sunnydale, even if we are just talking about Willow going back to college.
Sweeney: No pressure or anything, Anya, but our happiness for the week rests on you.
Lor: We open at Chez Summers, where Dawn is helping Willow arrange some things while giving her advice that consists of, "do what everyone else does," "nod and smile," and generally, "fake it 'till you make it." "Do what everyone else does," seems like a good way to get dead in Sunnydale, even if we are just talking about Willow going back to college.