Telegraphed Middle Eastern Location. Things are dusty. A man runs up a narrow staircase into a dusty room where he grabs a laptop and a phone and uses them to securely connect. He nervously types as quickly as he can, as more men are now running up the narrow staircase. We see that part of Nervous Man's message is that Nassar's, the guy who sent America the IT WAS ME message last episode, location has been confirmed.
The episode begins with Laurel watching a short, anti-war film commissioned by Luke’s PAC. It’s overly melodramatic, plus it blames the One Percent/Wall Street for trying to start the war, since they’ll profit the most from it. Luke tells Laurel to make notes on how to improve it and then give her feedback to the guy who made the film, because that won’t be awkward at all.
Upstairs, Red is commending Jules (the car-ramming, ambulance-diverting founder of the One Wayers) on the excellent work she’s done.
Upstairs, Red is commending Jules (the car-ramming, ambulance-diverting founder of the One Wayers) on the excellent work she’s done.
And so we enter the weird sort-of season. I honestly can't remember the entire story behind why there was this series of specials instead of a whole season, but I think it had something to do with David Tennant being cast as Hamlet in the Royal Shakespeare Company's production and it being far more successful than they'd planned??? Or something?
Whatever the reason, in 2009, there was no actual season.
Whatever the reason, in 2009, there was no actual season.
Yaaaaaaaaay it's the Supergirl/The Flash crossover episode!!!!!! I watch The Flash, over on Supergirl's new home, The CW. I enjoy it A LOT more than Supergirl. It's my favorite currently airing tv show, even if the season 2 finale DID enrage me. ANYWAY I'M EXCITED.
Catherine: Good that you're keeping your expectations in check here, Sammy.
Samantha: Shoot for the moon!!!!! Or maybe Saturn!!!
Catherine: Good that you're keeping your expectations in check here, Sammy.
Samantha: Shoot for the moon!!!!! Or maybe Saturn!!!
It's only been six weeks (at the time of writing this) between recaps, you guys. That's like a hot second to Melisandre. And don't pretend you didn't need some time to digest this madness before digging in. Now that I've made myself feel less guilty for delaying this so long, let's do this fucking finale.
Catherine: Ha! Smart. But honestly, we have so long until the next season starts that us delaying this long just means that you guys won't have to wait that extra six weeks for season 7 posts to start? Maybe?
Catherine: Ha! Smart. But honestly, we have so long until the next season starts that us delaying this long just means that you guys won't have to wait that extra six weeks for season 7 posts to start? Maybe?
I love a good holiday episode. This one starts with the girls walking outside on a picturesque Hollywood Christmas set, otherwise known as a street in Rosewood. Spencer says that since she's out on bail for murder she's not really vibing Christmas. Fair. Her and Toby agreed to just surprise each other with gestures. Hannah confuses gestures with jesters and I love her. They decide to write wishes down on paper snowflakes for a wish tree. Hannah sadz that the last time she was here she was with Mona. This throws us into a brief flashback that I feel comfortable calling an Ali-back just because Hannah is looking very Ali here. Mona and Hannah giggle and declare themselves bffs.
After the excitement of last chapter, Bella is all tuckered out and Daddy!Edward has to carry her home in his arms and put her to bed. I assume he explained something to Charlie, otherwise he would've had to shove her in through the window and crawl in after her like you do when you're trying to move a big couch.
Marines: Yeah, I'm assuming that's what happened. He was probably like, "meh. She's asleep anyway *shove*."
Annie: I wonder how Charlie feels about co-parenting his teenage daughter with her teenage boyfriend. Because I think it would make me homicidal.
Marines: Yeah, I'm assuming that's what happened. He was probably like, "meh. She's asleep anyway *shove*."
Annie: I wonder how Charlie feels about co-parenting his teenage daughter with her teenage boyfriend. Because I think it would make me homicidal.
The TARDIS lands, and the Doctor rushes out in a panic into suburban London, Donna behind him. He's surprised to see that everything's perfectly normal. Donna's too busy being all, "so that was Rose Tyler, huh?" (M: Kinda fair given all the Doctor's moping over her...) The Doctor says that if Rose is back, it means the walls between parallel universes are breaking down, and they'll take all the dimensions down with them. He rushes back into the TARDIS. Across the street from the TARDIS, a milk van starts to shake, and the tiles fall off a house roof. The milkman stares up at the sky in shock.
We open this episode in the Phantom Zone, 13 years ago. Child Kara is sleeping in her pod when it starts to shake and jerk around. Child Kara makes some interesting acting choices and it passes through a space arch metal thing. I think it's supposed to be ominous. Also, Kara was asleep for the entirety of her stay in the pod right? Since it was years?
Catherine: I guess not? She was supposed to be in stasis. I guess it's like that thing where you wake up but realize you still have a couple more hours to sleep and roll over in your spaceship.
Catherine: I guess not? She was supposed to be in stasis. I guess it's like that thing where you wake up but realize you still have a couple more hours to sleep and roll over in your spaceship.
Thanks for your patience, Snark Nation! Mari is traveling around the world, recruiting soldiers for the Great War to come, so Catherine and I are going to finish this season up on our own and probably hold each other while we sob. Right? Right.
Catherine: It's so likely that I'm upgrading it from a probably to a definitely. Get ready to emotionally suffer!
Catherine: It's so likely that I'm upgrading it from a probably to a definitely. Get ready to emotionally suffer!