Future, at an unidentified Asian locale. (K: Hooray! Not!White places are always exciting to me.) Donna and the Doctor are walking through a market and generally being so damn happy and adorable that it hurts me. We know that the Doctor has all of these adventures with his companions and we, as the audience, seem to stop in on them when things go wrong. They reference, though, and there is this sense that there are other, generally "normal" adventures. I know everything is about to go to shit in one moment, but this brief moment of pure travel adventure gave me feelings.
CARRY ON MY WAYWARD SOOOOOOOOOOOOOOOOOOON!!! (S: THERE'LL BE PEACE WHEN YOU ARE DOOONE.)
That's right, friends. It's the final episode of the season, and that means it's time for the previouslies to take us right back to the beginning and remind us of all the major plot points from the past five seasons that may prove relevant here. But mostly it means a full minute of jamming to Kansas because I have not so secretly terrible taste in music.
That's right, friends. It's the final episode of the season, and that means it's time for the previouslies to take us right back to the beginning and remind us of all the major plot points from the past five seasons that may prove relevant here. But mostly it means a full minute of jamming to Kansas because I have not so secretly terrible taste in music.
So every chapter of this book is roughly 30 pages long so far. I want you to really think about that, friends. 30 pages. There are chapters in War and Peace that are shorter than that.
Anyway! This endless nonsense begins with Edward and Bella getting back to Forks from their trip to Florida. Now, I know what you're thinking. Edward and Bella went all the way to Florida on a trip that probably lasted days and Meyer had the restraint to leave it out!?
Anyway! This endless nonsense begins with Edward and Bella getting back to Forks from their trip to Florida. Now, I know what you're thinking. Edward and Bella went all the way to Florida on a trip that probably lasted days and Meyer had the restraint to leave it out!?
The previouslies for this episode take us way back to last season when that one prostitute killed that Unsullied dude, Sam and Gilly left, and Sansa learned all about Lyanna Stark. Also, other stuff that happened last episode, I think. I'm not sure. It's been 6 seasons, and it's all really starting to blend together.
Anyway! The credits that I've never had to pay this close of attention to before take us to King's Landing, Pyke, Poor Winterfaux with it's little flayed man symbol, The Wall and across the narrow sea to Dothraki territory and Meereen.
Anyway! The credits that I've never had to pay this close of attention to before take us to King's Landing, Pyke, Poor Winterfaux with it's little flayed man symbol, The Wall and across the narrow sea to Dothraki territory and Meereen.
The previouslies are a warning to the audience: you definitely don't remember any of this stuff. Theon's dad and sister! Lord Karstark getting beheaded by a still-alive Robb! Bran knows a really smart bird!
Credits take us to Kings Landing, and then throw PYKE at us. Then Flayed Winterfaux, The Wall That Killed Our Dreams, Braavos, and Meereen. Yay, no Dorne! This episode is off to a great start.
Credits take us to Kings Landing, and then throw PYKE at us. Then Flayed Winterfaux, The Wall That Killed Our Dreams, Braavos, and Meereen. Yay, no Dorne! This episode is off to a great start.
Yes, it's true. Ana and Grey broke up, but this book is still going. Can you guess how happy I am about that?
But E. L. must have a really good reason for writing FIVE MORE CHAPTERS of this damn thing, right? I'm sure there are going to be all sorts of plot twists and turns, and plenty of brand new information which will make reading what follows a totally worthwhile use of our time. Right? RIGHT?
But E. L. must have a really good reason for writing FIVE MORE CHAPTERS of this damn thing, right? I'm sure there are going to be all sorts of plot twists and turns, and plenty of brand new information which will make reading what follows a totally worthwhile use of our time. Right? RIGHT?
So, I start off pumped because I love the Supernatural time travel episodes. Then I immediately sigh because we open with Dean sitting in a chair watching two girls, dressed as a devil and an angel, sexy dancing to the song Cherry Pie. It's kind of awkward to be watching this in a public cafe, so I fast forward a wee bit. (K: Legit.) The girls go away and are replaced by Anna! Remember her? The angel girl? I always liked her. She awkwards that this is what Dean dreams about and he asks why she's crashing his dreams.
Our exposition-on-the-fly this episode is really Kara reading a letter from Cat to her estranged son, basically being like, "sorry I wasn't a parent." While that voice over plays, Supergirl saves a family stuck in a camper from a forest fire. Because FAMILY.
Catherine: At first I actually thought her 'sorry I neglected you' letter was about the earth. Like, 'sorry I wasn't saving you quicker' and I was like, huh, this is cool. But no. And now I'm not sure why I went there.
Mari: They should hire you.
Catherine: At first I actually thought her 'sorry I neglected you' letter was about the earth. Like, 'sorry I wasn't saving you quicker' and I was like, huh, this is cool. But no. And now I'm not sure why I went there.
Mari: They should hire you.
The episode picks up right where the last episode ended. Supergirl and Non go busting through the ceiling of Lord Technologies and begin to duke it out in the sky. They're briefly interrupted by an airplane RUDELY flying in the middle of their fight but they carry on by smashing into the ground. Non has Supergirl in a chokehold and tells Supergirl that she's as weak as any human. Hank comes out with a blaster gun thing and Non drops Kara to go after Hank. Is this a good time to ask what they wanted with Lord Technologies in the first place?
LOOK AT ME! I'm recapping an episode of Supernatural!
...which probably explains why this is all late because I'm messing up Kirsti's timeliness completely. Sorry I'm the worst!
Kirsti: Who cares about timeliness when it means I GET AN EPISODE OFF WHEEEEEEEEEEEEEEEEEEE.
Mari: Oh, okay. I feel better!
Carry on my wayward son! I've been around these parts long enough to know that this song means we've reached finale time. There is a round of extended, season-long previouslies that ends with Sam walking out on Dean.
...which probably explains why this is all late because I'm messing up Kirsti's timeliness completely. Sorry I'm the worst!
Kirsti: Who cares about timeliness when it means I GET AN EPISODE OFF WHEEEEEEEEEEEEEEEEEEE.
Mari: Oh, okay. I feel better!
Carry on my wayward son! I've been around these parts long enough to know that this song means we've reached finale time. There is a round of extended, season-long previouslies that ends with Sam walking out on Dean.
I'm really curious to recap this episode, because it's easily been one of my favourites up until now. (Which is odd because it's written by Steven Moffat, and I've basically hated everything about his time as show runner...) But favourite things don't always stand up to being watched incredibly slowly, so...we'll see.
We open with CAREY MULLIGAN!!! climbing over a creepy fence into the grounds of a creepy house in the creepy rain accompanied by creepy music. There's a "Danger: Keep Out" sign on the gate.
We open with CAREY MULLIGAN!!! climbing over a creepy fence into the grounds of a creepy house in the creepy rain accompanied by creepy music. There's a "Danger: Keep Out" sign on the gate.
Sarah's asleep in captivity. A bright light shines on her face, waking her up as the cell door creaks open. Eerie music plays as she walks around an abandoned Castor Military HQ. She hears a giggle and runs after it, while my brain goes “ah, dream sequence.”
Marines: It's cool that her dream self is all gross and sweaty too, though.
Marines: It's cool that her dream self is all gross and sweaty too, though.
Hi, welcome back. Have a drink if you are playing along at home because Christian Grey just woke up with a start to start the chapter. This fine morning he's experiencing a pervading sense of guilt.
"Is it because I've fucked Anastasia Steele? Virgin?"
I laughed for five solid minutes. Anastasia Steele: VIRGIN.
Grey checks the time so probably you should drink again. It's after three in the morning and Ana is fast asleep. Grey says that his body "stirs" as he watches her and this is my mental image:
"Is it because I've fucked Anastasia Steele? Virgin?"
I laughed for five solid minutes. Anastasia Steele: VIRGIN.
Grey checks the time so probably you should drink again. It's after three in the morning and Ana is fast asleep. Grey says that his body "stirs" as he watches her and this is my mental image:
My last recap was mostly just a bunch of stuff from FSoG slightly rewritten from Grey’s PoV. It seems that I’ve got pretty much the same deal this time, only A MILLION TIMES WORSE, because now I have the dubious honour of recapping Grey’s first sex scene.
Luckily, though, I have a while to prepare myself for that, because this is also the LONGEST CHAPTER OF ALL TIME. It just keeps going and going. I’ll be surprised if anyone is even still reading by the time we get to the sex part.
Jessica: Your perseverance in not only reading, but writing, is impressive. Just reading this took colossal effort.
Luckily, though, I have a while to prepare myself for that, because this is also the LONGEST CHAPTER OF ALL TIME. It just keeps going and going. I’ll be surprised if anyone is even still reading by the time we get to the sex part.
Jessica: Your perseverance in not only reading, but writing, is impressive. Just reading this took colossal effort.
Ali is lying on her bed while voiceovers of the Liars ask if she’s ok. Light and shadows play over her face as we assume the days pass. I know Ali can be a manipulative bitch and all, but I can’t begin to imagine the trauma of nearly being murdered, buried alive, on the run for three years and then come back to find your mom murdered. Damn.
Mr. DiLaurentis and Jason join in the voiceovers, rudely telling the Liars to get out.
Mr. DiLaurentis and Jason join in the voiceovers, rudely telling the Liars to get out.