Previously: Max-a-something Treve-whatever has a flat overlooking the Thames (yay!) and inherited responsibility (boo!). — Marines: It appears we will be switching perspectives to some extent as we are now...
I love this shooooooooooow. Okay. We open with the Marvel logo and the pretty and disarming credits. I love how the music starts kind of low key and quaint and then builds into this more rock thing.
Credits over, Jessica Jones is sitting in a police interrogation room. A detective comes in and she tells him that she's not sure how much more she can tell him. He comments on her tension and she's basically like "Yeah. I watched people get murdered by an abused and controlled girl at the end of last episode. Of course I am." He asks how she got in touch with the Shlottman's and how she found Hope.
Credits over, Jessica Jones is sitting in a police interrogation room. A detective comes in and she tells him that she's not sure how much more she can tell him. He comments on her tension and she's basically like "Yeah. I watched people get murdered by an abused and controlled girl at the end of last episode. Of course I am." He asks how she got in touch with the Shlottman's and how she found Hope.
Grey hasn't gone to bed yet, but since we've passed midnight it's the next chapter. He broods at his piano instead. He's mad because Ana said she would try to change for him, but in the end she didn't. In fact, he tells himself that she “fell at the first hurdle.” Grey, I think last night was leagues away from the first hurdle. Way after the selling-your-car and stalking-your-life hurdles.
Seven episodes until we got a episode named something Echo-ish. That's some self-restraint.
Sweeney: I only give them partial credit, since they named the girl with all the glitchy remembering stuff issues ECHO. Half points.
Mari: We're nothing if not fair.
We flashback to Caroline and Adelle, making the deal we first saw in Ghost. All Caroline wants is to be left alone, but Adelle says they are past that.
Sweeney: I only give them partial credit, since they named the girl with all the glitchy remembering stuff issues ECHO. Half points.
Mari: We're nothing if not fair.
We flashback to Caroline and Adelle, making the deal we first saw in Ghost. All Caroline wants is to be left alone, but Adelle says they are past that.
Lorraine: Hello, friends! Long time no see in this dusty "Fifty Shades" corner of Snark Squad. In fact, the last time we were here, Charlie Hunnam was still slated to play Christian Grey.
Sweeney: I'm so glad we got to have this gif for the final Fifty Shades posts. It was so useful!
Lor: Fast forward to ten months later and the official release of the Fifty Shades of Grey trailer:
Sweeney: I'm so glad we got to have this gif for the final Fifty Shades posts. It was so useful!
Lor: Fast forward to ten months later and the official release of the Fifty Shades of Grey trailer:
This pilot has already won me over because the episode has a name. I don't like it when pilots are titled, "Pilot."
Sweeney: Same. It also makes it really hard to make the first thumbnail because you just know most episode titles are going to be way longer. HOORAY FOR PILOT EPISODES NOT NAMED PILOT!
Lor: Enthusiasm for the episode title aside, this pilot has also won me over because I've seen all 10 episodes of season 1 already. So has Sweeney. There are no Snows here, but as always, we'll keep the recaps spoiler free. We're cool that way. On to the episode.
Sweeney: Same. It also makes it really hard to make the first thumbnail because you just know most episode titles are going to be way longer. HOORAY FOR PILOT EPISODES NOT NAMED PILOT!
Lor: Enthusiasm for the episode title aside, this pilot has also won me over because I've seen all 10 episodes of season 1 already. So has Sweeney. There are no Snows here, but as always, we'll keep the recaps spoiler free. We're cool that way. On to the episode.
Gina Torres gushes about how wonderful the gross warehouse is while Connor - still covered in blood - and Angel fawn over her. She kneels next to a comatose Cordy and thanks her for having her free will taken away so that she could exist protecting her. She tells her to be at peace, then gushes some more about how perfect everything is. There's one thing that's not perfect, Angel interjects. And that's the fact that he came there to kill her. He hands her his sword and says that he deserves to be punished. She takes it and says that she can feel his suffering, but that the suffering ends now. He drops his head, bracing himself for the blow, but it never comes. He looks up to find her gone. Cue Electric Cellos.
After the credits, Fred's scurrying around the office, cleaning up fallen books as Lorne watches and sips a cocktail because he's the only sane character in this show. He tells her to stop because she's making him twitchy.
After the credits, Fred's scurrying around the office, cleaning up fallen books as Lorne watches and sips a cocktail because he's the only sane character in this show. He tells her to stop because she's making him twitchy.
Inside the Summers' home, it's somewhat clear that whatever happened at the end of the last episode, it wasn't well thought out. All the Potentials, Giles, Willow, Faith, Xander, Anya and Principal Wood are having a disorganized discussion about how to have organized discussions. Kennedy is pretty much just excited about having more of a say.
Faith keeps trying to calm everyone down. Amanda goes on and on about parliamentary procedure. During this, Giles tries to assure Dawn that what they did was for the best. Dawn says it doesn't feel that way. Finally, Faith tells everyone that they need to chill out and get some sleep. Kennedy wonders if they have time to waste and Faith basically answers, "things suck so let's sleep." I support this plan. It's pretty much the best one we've heard this season.
Faith keeps trying to calm everyone down. Amanda goes on and on about parliamentary procedure. During this, Giles tries to assure Dawn that what they did was for the best. Dawn says it doesn't feel that way. Finally, Faith tells everyone that they need to chill out and get some sleep. Kennedy wonders if they have time to waste and Faith basically answers, "things suck so let's sleep." I support this plan. It's pretty much the best one we've heard this season.
New York City in 1977. We follow the pouring rain down to the street where Spike and Nikki are fighting and exchanging quips. Behind a nearby bench, baby!Wood watches the fight. Spike has Nikki in a headlock, and baby!Wood startles and knocks over a trashcan. Spike is distracted enough that Nikki is able to break out and continue the fight. She pulls out a stake and throws it at Spike, but he catches it mid-air and says he's spent a long time tracking Nikki down, and he doesn't want the fight to end so quickly. With one last compliment to her coat, he takes off.
Baby!Wood calls out to his mom. She tells him he did a great job staying low, just like she asked. I call bullshit on Spike not smelling/hearing/seeing the kid, but okay. Good job, baby!Wood.
Baby!Wood calls out to his mom. She tells him he did a great job staying low, just like she asked. I call bullshit on Spike not smelling/hearing/seeing the kid, but okay. Good job, baby!Wood.