Okay, y'all. This is one of my favourite episodes ever, because of reasons. So I've been excited for, like, EVER about recapping this one. Let's get to it. A middle-aged professor type heads up the steps of a college building after dark, then stops when he sees a pretty young thing (who looks weirdly like a brunette Reese Witherspoon) in a sundress fixing her shoe. I'm going to go ahead and award him a "THAT'S WHAT HAPPENS" because he's in an overcoat and scarf, and doesn't think her lack of coat is at all suspect. Anyway, Brunette Witherspoon flirts a little as she says that she's in one of his classes and he invites her up to his office. There's some more flirting, a little making out, and then her face turns all grey and rotten. "What's the matter? Don't you like me any more?" she says sadly. Downstairs, a janitor locks the front of the building and heads down the stairs. There's a crunch behind him and he turns to see Creeper Professor, face first in the concrete.
We begin, again, on Murder Night. At 12 Grimmauld Place, we rehash the Michaela is beyond terrified/Connor is verbally abusive and manic/Laurel is trying to stay calm and be helpful/Wes is snuggling Rebecca dynamic. Wes says he needs to get Rebecca out of here while the rest of them go to the woods, since she of all people can’t be found there.
Then there’s an angry knock on the door and everyone panics. It’s Asher, and he is PISSED. Not because of murder!reasons, but because Michaela stole his trophy. They all pretend not to be home, except Connor, who starts cackling like a sociopath. It’s not funny, except when Asher yells, “Are you bitches seriously trying to ignore me right now?” That was weirdly hilarious.
Then there’s an angry knock on the door and everyone panics. It’s Asher, and he is PISSED. Not because of murder!reasons, but because Michaela stole his trophy. They all pretend not to be home, except Connor, who starts cackling like a sociopath. It’s not funny, except when Asher yells, “Are you bitches seriously trying to ignore me right now?” That was weirdly hilarious.
Dean stands next to the Bromobile by an underpass and phones Ellen in a panic. Sam's been missing for days, there's no sign of him, and Dean's freaking the fuck out because it's like Papa Winchester all over again. Ellen hasn't heard anything. Dean's phone beeps and he looks at the screen to see an incoming call from Sam. He answers, then tells Sam to calm down because he's on his way.
Crappy motel. Sam hangs up the phone and stares at his bloody knuckles. Dean Bromobiles his way to Sam. He reaches the motel and rushes to Sam's room. He panics a little when he finds blood all over Sam's shirt, but Sam assures him it's not his.
Crappy motel. Sam hangs up the phone and stares at his bloody knuckles. Dean Bromobiles his way to Sam. He reaches the motel and rushes to Sam's room. He panics a little when he finds blood all over Sam's shirt, but Sam assures him it's not his.
We pick up exactly where we left off, with Rose running into the TARDIS. Only this time, the shot is from the inside. The Doctor grins and asks Rose where she wants to go first - forwards or backwards in time. She picks forwards, one hundred years. The Doctor flicks some switches and gizmos on the TARDIS console, and they vworp vworp their way to the 22nd century. But when they land, the Doctor declares 100 years to be nothing and suggests going further. Rose agrees, and he flicks some console stuff again. More vworp-ing, and they're 10,000 years in the future, at the height of the New Roman Empire. Rose smirks that the Doctor thinks he's impressive, and he decides they're going further. He mans the console again and we see the TARDIS flying through a time vortex. (L: Flying with our old, dear friends, Bad Special Effects. Man, those guys stay busy!)
We open with a news bulletin in Milwaukee about a siege going on at a bank downtown. A reporter informs us there are about ten hostages, then there's a kerfuffle in the background. The zoomy cameraman earns his pay cheque and shows us that Dean's in the doorway of the bank, using a security guard as a human shield. He yells at the cops to get back, then gets "OH SHIT" face when he sees the news cameras.
FLAME ON!
After the credits, it's the previous day and the boys are at a jewellery store pretending to be FBI agents.
FLAME ON!
After the credits, it's the previous day and the boys are at a jewellery store pretending to be FBI agents.
A bus pulls up in a busy Gotham street, and the Penguin steps off wearing an ugly cableknit jumper. He looks around and smiles at the general crime and police corruption currently going on all around him, happy to be home.
Lorraine: But the question remains: why the heck does anyone else call this city where all the crime happens in broad daylight home?
Alex: A news report tells us that some rich guy, currently on trial for running a Ponzi scheme, is out on bail – much to the disgust to the citizens of Gotham who were the victims of his scheming. My knowledge of what a Ponzi scheme is is possibly the only good thing to come out of Sarah Michelle Gellar’s mercifully short time on Ringer.
Lorraine: But the question remains: why the heck does anyone else call this city where all the crime happens in broad daylight home?
Alex: A news report tells us that some rich guy, currently on trial for running a Ponzi scheme, is out on bail – much to the disgust to the citizens of Gotham who were the victims of his scheming. My knowledge of what a Ponzi scheme is is possibly the only good thing to come out of Sarah Michelle Gellar’s mercifully short time on Ringer.
A van pulls up outside a gorgeous but slightly creepy mansion-turned-hotel. Inside, a woman gives the driver instructions on the boxes he's to collect while he nostalgia-mopes about the hotel closing down because his parents and grandparents got engaged there. She has no fucks to give. He heads upstairs as two girls in slightly oldy-worldy outfits watch from the landing.
One complains about Van Guy taking their toys, but the mother says there are plenty of other toys to play with.
Cut to Tyler, the younger of the two girls, playing with a creepy-ass dollhouse that's a scale model of the hotel.
One complains about Van Guy taking their toys, but the mother says there are plenty of other toys to play with.
Cut to Tyler, the younger of the two girls, playing with a creepy-ass dollhouse that's a scale model of the hotel.
Psychiatrist's office. A creepy guy in his early 20s tells the psychiatrist that a year or so ago, he started getting migraines. Then he found out he could electrocute things with his brain. He tried it out on the neighbour's cat. The psychiatrist frowns and makes notes that probably say "DO NOT SHAKE HANDS WITH THIS DUDE OMG." Electro-creeper says that he didn't want to kill the neighbour's cat, but the yellow-eyed man comes to him in his dreams and asks him to do things, that he has plans for him. Cut to Electro-creeper walking towards his car at night. When he reaches his car, there's a dark figure reflected in the window. Electro-creeper turns and promptly gets stabbed twice.
FLAME ON!
FLAME ON!
The episode picks up where the last one left off and I'm actually kind of glad we're not watching real time because if I had to wait months to see them open the trunk for this big reveal, I'd be pissed. The trunk contents? A dead pig. That's it. This fucking show.
Lorraine: Mother of all curb-hangers.
Sweeney: The girls start to blame Mona for setting them up, but crazy bitch actually the only one thinking smart - she's stealing the hard drive with the video of Ashley Marin running over Detective Wilden.
Lorraine: Mother of all curb-hangers.
Sweeney: The girls start to blame Mona for setting them up, but crazy bitch actually the only one thinking smart - she's stealing the hard drive with the video of Ashley Marin running over Detective Wilden.
First of all, NOBODY LOVES A CLOWN. NOBODY.
Right. Now that's out of the way, let's get to the episode. Medford, Wisconsin. A young girl looks excitedly around a carnival while her parents look bored. She gets excited about clowns, and her dad's all "NOPE." She waves at one particular clown, which waves back, but neither of her parents can see it. Cut to them driving home. She sees the same clown out the car window. Cut to her getting out of bed that night and seeing the clown standing on her back lawn. She goes downstairs and lets it in because SHE'S A FUCKING IDIOT.
Right. Now that's out of the way, let's get to the episode. Medford, Wisconsin. A young girl looks excitedly around a carnival while her parents look bored. She gets excited about clowns, and her dad's all "NOPE." She waves at one particular clown, which waves back, but neither of her parents can see it. Cut to them driving home. She sees the same clown out the car window. Cut to her getting out of bed that night and seeing the clown standing on her back lawn. She goes downstairs and lets it in because SHE'S A FUCKING IDIOT.
We pick up where we left off last season, with the possessed truck driver getting out of his rig. He rips the door off the Bromobile, only to find Sam pointing the Colt at his junk. The demon scoffs that there’s only one bullet left and it's destined for the Yellow Eyed Demon. Sam has no fucks to give. The demon bails, leaving the truck driver to stare in horror at the three people he's nearly killed.
Cut to a helicopter landing some time later. The Winchesters are all rushed to the helicopter on stretchers. Sam demands information but the paramedics tell him to stay still. Cut to a hospital. A pyjama-clad Dean wakes up and gets out of bed. He calls out, but there's no answer.
Cut to a helicopter landing some time later. The Winchesters are all rushed to the helicopter on stretchers. Sam demands information but the paramedics tell him to stay still. Cut to a hospital. A pyjama-clad Dean wakes up and gets out of bed. He calls out, but there's no answer.
We pick up where we left off, with the boys phoning Papa Winchester and Meg answering. She tells Dean he'll never see his father again, and Dean hangs up. He starts grabbing his stuff and tells Sam they have to go because the demon knows they've got the Colt and now that it has Papa Winchester, it'll come after them next. Sam's all "GOOD. COME AT ME, BRO!", but Dean insists that they're leaving.
Cut to the Bromobile. Dean says that they need to work out where Papa Winchester's being kept so they can trade him for the Colt. Sam suggests that Papa Winchester might be dead already, and Dean gets angry. Sam backs down and wants to know how they'll find him. "We need help," Dean replies, and the Bromobile bros on through the night.
Cut to the Bromobile. Dean says that they need to work out where Papa Winchester's being kept so they can trade him for the Colt. Sam suggests that Papa Winchester might be dead already, and Dean gets angry. Sam backs down and wants to know how they'll find him. "We need help," Dean replies, and the Bromobile bros on through the night.
Phoebe runs into Qua ke and some bro comes over to ask if she's a terrorist because she's the bomb. As much as I'm sure I could end the recap there, another random bro taps into this bad pick-up line ring, asking if it hurt when Phoebe fell from heaven. She whispers in his ear that she's a witch, not an angel, because she's on a one woman mission to basically announce that to everyone, ever.
Phoebe joins her sisters, who are staring at a couple making out at the bar. Phoebe and Piper moan about being single. A cheery waitress delivers a drink to Prue and points out the man in the restaurant who sent it to her.
Phoebe joins her sisters, who are staring at a couple making out at the bar. Phoebe and Piper moan about being single. A cheery waitress delivers a drink to Prue and points out the man in the restaurant who sent it to her.
CARRY ON MY WAAAAYWARD SOOOOOOOOON. Sorry. It's the pointy end of the season, and that means we start with a full recap of the season and the show's unofficial theme song. It's a sure sign that heartbreak isn't far away.
Blue Earth, Minnesota. The camera pans over a stained glass window and down to a priest, flicking through a Bible. Meg walks in, and says she needs someone to talk to about all the terrible things she's done. The priest says salvation was created for sinners, earning himself a shiny gold star
Blue Earth, Minnesota. The camera pans over a stained glass window and down to a priest, flicking through a Bible. Meg walks in, and says she needs someone to talk to about all the terrible things she's done. The priest says salvation was created for sinners, earning himself a shiny gold star
Final magical/lying credits of the season take us through King's Landing, Moat Cailin, WinterfellFOREVERonfire, The Wall, across The Narrow Sea to a scary game of Mouse Trap Braavos, and finally Meereen.
We resume where we last left Jon Snow, heading north of the wall, swordless, to kill Mance. There's a lot of weird shaky cam which made me think direwolf cam but no, it's just Wildling cam. Jon surrenders immediately, explaining to Mance that he's been sent to negotiate with him.
Lorraine: I thought Jon's plan involved some amount of being sneaky. It makes sense that he left his sword, now, since his entire plan was just walking right up to the people who were trying to kill him.
We resume where we last left Jon Snow, heading north of the wall, swordless, to kill Mance. There's a lot of weird shaky cam which made me think direwolf cam but no, it's just Wildling cam. Jon surrenders immediately, explaining to Mance that he's been sent to negotiate with him.
Lorraine: I thought Jon's plan involved some amount of being sneaky. It makes sense that he left his sword, now, since his entire plan was just walking right up to the people who were trying to kill him.