Previously: Edward kills a spider for Bella and falls in love at midnight. — Annie: The chapter opens with Edward following Bella using his creepy powers to watch her through people’s eyes....
Note: A version of this post was originally published on June 20, 2011. It has been edited for content and style. — Previously: Nancy investigates some missing locker items and stumbles...
Alice drops Bella off at her house the next day, since they are still pretending that they were having a sleep over to hide the fact that Bella's half kidnapped, half not getting any. When Bella gets inside, Charlie right away lets her know that she's got a message. Jacob called to say he was sorry and Charlie adds to give him a break because he sounded upset. He doesn't add, "anything is better than Edward," but it's implied.
I can't believe I got this chapter. I'm actually a little freaked out because I remember it being pretty upsetting and not very funny or easy to make fun of. In fact, I feel compelled to issue a trigger warning here for sexual assault and rape, on the grounds that it's almost definitely gonna get discussed. Because it's sort of what this chapter is about. But it's only in a flashback if that makes you guys feel any better?
Annie: Yeah, I'd completely blocked this part out of my memory, probably on account of it being trigging. Thanks, Stephenie.
Catherine: THANKS, STEPHENIE.
Annie: Yeah, I'd completely blocked this part out of my memory, probably on account of it being trigging. Thanks, Stephenie.
Catherine: THANKS, STEPHENIE.
Bella is driving home, paying little attention to the drive, but instead, thinking all about her visit with Jacob, when she spots Edward's Volvo (M: Sparkle) in her rearview mirror. Edward is following way too closely behind her. That sounds super safe. Bella seems worried about how much trouble she's going to be in, which is not a thing that should be happening, as Bella is an adult and Edward is her boyfriend. Not her parent.
Bella drives straight to Angela's house, calling herself a chicken. Yeah, Bella. You're scared to be alone with your boyfriend. You're such a big chicken!
Bella drives straight to Angela's house, calling herself a chicken. Yeah, Bella. You're scared to be alone with your boyfriend. You're such a big chicken!
A while ago I asked Mari if I could hijack Snark Squad to do a Goosebumps post since I had found one of the books at my local library and she was a total sport about it. And then Samantha volunteered as tribute to be my trusty sidekick which is how we got here. (S: Hello!) Truth be told, I didn't read Goosebumps as a kid or teen so this is an adventure for me on more than one level. (S: Omigosh same, I was a super scairdy cat!) I was an Enid Blyton and Agatha Christie (yes, even at that time) kind of reader.
Gosh, I just can't seem to remember if anything important or significant happens in this chapter.
Annie: Does anything important or significant ever happen in SMeyer's books until she remembers that they should have a plot in Chapter 22? My prediction is no.
Catherine: I guess we'll have to read on and see.
Annie: Does anything important or significant ever happen in SMeyer's books until she remembers that they should have a plot in Chapter 22? My prediction is no.
Catherine: I guess we'll have to read on and see.
Prison. Two guards come to collect a prisoner who is Antonio Sabato, Jr. You'll probably recall that he was on the show previously but may not recall why. Basically, I'm describing myself. Thankfully they say his name right away so I don't have to keep typing Antonio Sabato, Jr.
Stephanie: I only remember Bane as the guy Prue made out with when she put on leather and became a Bad Girl for a day. I don't remember why he's in jail. I also don't care.
Stephanie: I only remember Bane as the guy Prue made out with when she put on leather and became a Bad Girl for a day. I don't remember why he's in jail. I also don't care.
Rain, thunder, lightening. Somewhere, a guy sits inside a shop, pouring over a book. A TV program is playing in the background. The announcer signs off just as the guy realizes he's overdrawn and needs a money miracle. Watching TV while also maybe thinking about needing money miracles? MY LIFE. But with less "God Save the Queen" playing in the background.
Kirsti: I had a total "IT'S THAT GUY FROM THAT THING!!" moment when he came on screen, but wasn't sure what that thing was. According to IMDB, it's our old friend Britain Only Has Ten Actors, because he's been in Hot Fuzz, Little Dorrit, and Chocolat.
Kirsti: I had a total "IT'S THAT GUY FROM THAT THING!!" moment when he came on screen, but wasn't sure what that thing was. According to IMDB, it's our old friend Britain Only Has Ten Actors, because he's been in Hot Fuzz, Little Dorrit, and Chocolat.
Park. A birthday party is happening and the P's are either in attendance or hanging out awkwardly close. Phoebe is pushing Piper about her relationship again because Josh wants to have "the talk." It's been three whole dates without sex, so Phoebe thinks "the talk" can only be about one thing. Problem is that apparently sex = being a couple, and Piper isn't ready for that. Especially since Leo was the last person she slept with and he ran off.
Birthday Boy and Birthday Mom come over to check on the progress of the cake so, yes, the P's are invited guests. Birthday Mom thanks Piper for providing the party food and they all sit around having good feelings about food and small children.
Birthday Boy and Birthday Mom come over to check on the progress of the cake so, yes, the P's are invited guests. Birthday Mom thanks Piper for providing the party food and they all sit around having good feelings about food and small children.
Prue and Phoebe are going through old pictures and Phoebe is complaining about a lack of HER in all of them. Prue finds a couple of Baby Phoebe, including one with their mom. Phoebe catches some feels but before they can explore them too much, Piper rushes in looking for pen and paper. There's a knock on the door and on the way there, Piper exposits to her sisters that every year this man shows up on the same day with flowers for their grandmother from a secret admirer, when clearly he's the admirer.
Piper opens the door and it's Blatant Admirer with flowers for "Penny Halliwell."
Piper opens the door and it's Blatant Admirer with flowers for "Penny Halliwell."
Logan is heading up to the Billionaire Bros Bungalow. Before the elevator doors close, Veronica runs inside. Because it is a Logan/Veronica interaction, it's been fully gifed for your viewing pleasure:
Sweeney: It's good to know there are some things we can count on in this world, like shippers on Tumblr.
Lor: All that "Duncan is sad over the death of his ex and his new baby" exposition over, those two finally get upstairs. Veronica walks into Duncan's room, with more sarcastic commentary from Logan in the background. It's a little hard to keep track of Logan's moods sometimes.
Sweeney: It's good to know there are some things we can count on in this world, like shippers on Tumblr.
Lor: All that "Duncan is sad over the death of his ex and his new baby" exposition over, those two finally get upstairs. Veronica walks into Duncan's room, with more sarcastic commentary from Logan in the background. It's a little hard to keep track of Logan's moods sometimes.
Red Lodge, Montana. A terrified girl runs through the woods at night, a man chasing her. She hides behind a tree, and the man runs past her. Or so she thinks. She peeks out from behind the tree, and he chops off her head.
FLAME ON!
After the Not!Credits, we're treated to the delightful strains of AC/DC's Back In Black as the newly remodelled Bromobile rolls down the road. There's like 30 seconds straight of car close-ups just so we can marvel at how shiny it is.
FLAME ON!
After the Not!Credits, we're treated to the delightful strains of AC/DC's Back In Black as the newly remodelled Bromobile rolls down the road. There's like 30 seconds straight of car close-ups just so we can marvel at how shiny it is.
This show ended up taking Sweeney and I by surprise for a reason that's unique to our experience: it's a pain in the ass to recap. Part of what intrigues me about the whole Snark Squad project has a lot to do with the material we pick and cover and how it lends itself to scrutiny. It's hard to tell what a recapping experience will be like before we get a few posts under our belts. Anyway, the point is that this is better than average material that just takes SO. LONG. to cover. I'll go into the construction of this season a little more at the end, but there was never an easy way to recap one of these episodes. It was always a many, many hour ordeal.
Which also (partly) explains why this is so late.
Which also (partly) explains why this is so late.
The soundtrack squeals and we fade into a hospital room where Helena is fading in and out of consciousness. There is a police officer there, taking pictures and collecting evidence. He asks the same question I had last episode: how is she even alive? Almost in response to him, Helena starts convulsing and the nurse rushes to her aid.
Meanwhile, Art is asking Sarah what the Proletheans want with Kira. She doesn't know. Everyone wants Kira, and probably not to play with puzzles and finger paints. There's a knock at the door and Sarah lets Felix in. He immediately comforts Sarah by letting her know they will find Kira. Felix greets "Arthur," but adds a grumble about how he can't believe Sarah let a cop into Clone Club. Yeah, I'm having a hard time with that one too, Fee.
Meanwhile, Art is asking Sarah what the Proletheans want with Kira. She doesn't know. Everyone wants Kira, and probably not to play with puzzles and finger paints. There's a knock at the door and Sarah lets Felix in. He immediately comforts Sarah by letting her know they will find Kira. Felix greets "Arthur," but adds a grumble about how he can't believe Sarah let a cop into Clone Club. Yeah, I'm having a hard time with that one too, Fee.